articles

Zero to Infinity (Arte Povera 1962-72)

By TIna Fiske 10 September 2001

31 May – 19 August 2001, Tate ModernThe Tate Modern’s recent exhibition assembled work by 14 key exponents of the Arte Povera movement (19...

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articles

Tech_2 (A report from Bristol)

By Saul Albert 5 September 2001

In an 8-day gathering, enthusiasts of independent networking discovered how far it's possible to take Open Source. The organisers of tech_2 could...

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articles

The Metamap: a pull-out global map charting Surveillance and Privacy projects

By mute 1 September 2001

The Metamap surveillance and privacy Map ISBN 978-1-906496-60-9 PDF version http://www.metamute.org/sites/www.metamute.org/files...

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articles

Ceci N'est Pas Un Magazine

By Mute Editor 15 August 2001

Mute on 'prosumers', collaborative production and the future of the magazine - a Mute infomercial Towards a 'Participatory Publishing Model', Part ...

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articles

Computer Voices / Speaking Machines (Sarah Cook reports from the Banff Centre, Canada)

By Sarah Cook 30 July 2001

On art, tech and the fallibility of the natural New works by David Rokeby and Jocelyn Robert & Emile Morin Curated by Sara Diamond Walter Phillips...

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articles

Temporary Autonomous Pavilion (Net.art at the Venice Biennale)

By Lina Dzuverovic - Russell 15 July 2001

The male history of net.art? I'm not sure what was more disturbing during this years' Venice Biennale opening week: the endless 'Luc Tuymans apprec...

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articles

Vicky Victorious

By Marek Kohn 10 July 2001

Intentionally or unintentionally, the V&A’s Victorian Visions exhibition proffered a surprisingly accurate interpretation of New Britain &nd...

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articles

The Conditions of Possibility: Tributes to Marina Vishmidt 1976-2024 (I)

By Mute Collective 6 June 2024

Marina Vishmidt, a much loved and deeply formative contributor for our magazine from its early years, tragically passed away at the end of April. The ...

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articles

Mute Archive Move

By mute 27 June 2022

This June and July the Mute magazine archive is being moved from its current home in a shipping container a hundred miles north of London to a new smaller space in Berlin.

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