If images of (certain) women are everywhere, lubricating the sale of product, they are also nowhere when it comes to picturing their acts of heroism or banality. Croatian artist Sanja Iveković has spent years exploring the gap between female invisibility and appearance – review by Nick Gledhill
As the financial crisis fastens its grip ever tighter around the means of human and natural survival, the age of the algorithm has hit full stride. This phase-shift has been a long time coming of course, and was undoubtedly as much a cause of the crisis as its effect, with self-propelling algorithmic power replacing human labour and judgement and creating event fields far below the threshold of human perception and responsiveness.
