openmute press

Sniff, Scrape, Crawl... {on privacy, surveillance and our shadowy data-double}

By Renée Turner 18 May 2012

  Crawling and scraping, the ambient social network creates a portrait of who we are, and maps our demographic character. Where once surveill...

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openmute press

Another wor(l)d is possible! - the imperative for publishing experiments

By mrchristian 10 October 2011

Mobility Shifts - conference presentation, October 2011, NY. http://mobilityshifts.org/ The Arab Spring has been an outpouring of deep rooted frustr...

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openmute press

Size Matters

By Sarah Thelwall 1 July 2011

Size Matters: Notes towards a Better Understanding of the Value, Operation and Potential of Small Visual Arts Organisations is written by Sarah Thelwa...

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openmute press

Danger: Contains Books

By mrchristian 1 May 2011

The recent proliferation of digital reading devices has led to extreme format paranoia, as if the book is an endangered species, under threat of extin...

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openmute press

Node.London Reader II

By ed. Marina Vishmidt, Mary Anne Francis and Jo Walsh 1 June 2009

The NODE.London Reader II projects a critical context around the Season of Media Arts in London, March 2008. NODE.London (Networked, Open, Distributed...

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openmute press

The Crying Girl

By Charlie Rolfe 24 April 2009

Finally in print!! - the seminal work of post-dystopian elegiac apocalypse fiction from acclaimed sub-Beckettian Charlie Weaver Rolfe - funny, sad and...

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magazine

Mute Vol. 3, No. 2 - Politics my arse

By mute 17 February 2012

'Well, the first thing I want to say is, politics my arse' Issue 2 includes: cover art by Johnny Spencer * Alberto Toscano on logistics and anarchi...

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The Mute Magazine Archive

all products
By admin 5 January 2012

a special box set of Mute magazine back issues Original copies of nearly every issue* of Mute from 1994 to 2010 - a total of 45 issues spanning th...

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Agit Disco

mute books
By mute 30 November 2011

Agit Disco collects the playlists of its 23 writers to tell the story of how music has politically influenced and inspired them. The book provides a multi-genre survey of political musics, from a wide range of viewpoints, that goes beyond protest songs into the darker hinterlands of musical meaning.

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