Gregory Sholette’s book, Dark Matter, provides a useful collectivising term for those artists who produce the art world from below. But, wonders Stefan Szczelkun, how can we talk about cultural exclusion without thinking seriously about class?
When the excluded are made visible, when they demand visibility, it is always ultimately a matter of politics and a rethinking of history. This is often the case with artists collectives.
– Gregory Sholette
