On the occasion of the publication of an anthology of her writing and the accession of a Wages for Housework NY archive at Mayday Rooms in London, Marina Vishmidt interviewed Silvia Federici on her extensive contribution to feminist thought and recent work on debt activism (with contributions by Mute, Mayday Rooms and George Caffentzis)
Despite commonalities between feminist poetry and Marxist feminism, they have not often crossed paths. How might writing such as Bhanu Kapil’s Ban en Banlieue be able to explore more viscerally the necessarily hidden – often racialised and gendered – remainders of the class relation which otherwise useful Marxist feminist categories cannot articulate fully? What, asks Amy De’Ath, can such poetry lay bare?
Madame Tlank digresses from and back to Anne Boyer’s Garments Against Women, which is many things. A memoir written by someone without a history. A garment made for no-body. A reproduction fin in a great fleet of sharks
Down With Supreme Whateverness: On Anne Boyer's Garments Against Women
To mark the release of You Must Make Your Death Public: A collection of texts and media on the work of Chris Kraus, gathered from the Chris Kraus symposium held at London’s Royal College of Art in March 2013, Mute presents Karolin Meunier’s contribution, ‘Speaking Candour’.
The heterogeneous elements of the Black Lives Matter movement are fighting white supremacy by confronting gendered domination, capitalism, and the repressive apparatuses of the state. Erin Gray traces the critical impulse of the current movement against anti-black violence to the legacy of Ida B. Wells’s radical anti-lynching campaigns, and suggests that the fiercest opposition to police terror in the US has always been against the law
The Mute magazine print archive has its first release for sale as an original, limited edition set of all fifty-one issues of the print versions of the magazine, covering twenty years of publishing from 1994 to 2014. Full Details