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Art

All the World’s a Platform

A dispatch from Berlin on post-internet art by Jacob Bard-Rosenberg reposted from: http://prolapsarian.tumblr.com/post/105025464662/all-the-worlds-a-platform-dispatches-from-berlin

 

Forensis Is Forensics Where There Is No Law

During Forensis, an exhibition and conference at the Haus der Kulturen der Welt in Berlin this Spring, researcher-curators Eyal Weizman and Anselm Franke talked to Gal Kirn and Niloufar Tajeri about the relationship of forensics to emancipatory politics and the aesthetic implications of ‘forensic realism’

 

Doing More with Less

Casco – Office for Art, Design and Theory’s first exhibition in a new building, New Habits, raises crucial questions for Geoffrey Wildanger: what has to happen when one has to do more with less? What, or where, are the 'commons' in austerity Europe?

 

 

Limehouse Town Hall

 

20th June
8pm-3am

 

Seymour Wright + TBC
Ute Kangiesser - Solo Cello
Design A Wave 
Anthony Iles + Marina Vishmidt (DJ)
Mike Levitt + James Janco (Limazulu) (DJ)

 

Pedunculated Fandango

Acknowledging the trends of a new cultural-topological turn Jonathan Kemp reads Sha Xin Wei’s recent book on poiesis, enchantment and topology, inside out

 

I teach you the friend and his overflowing heart. But you must understand how to be a sponge if you want to be loved by overflowing hearts

Irational.org’s Traum

Irational.org’s Traum a Psychoarchaeologist’s Dramaturgy

By V.M.

Series editors: Clemens Apprich, Josephine Berry Slater, Anthony Iles & Oliver Lerone Schultz

Published in association with Post-Media Lab Books

Captives of Combination

In this double review of exhibitions by Camille Henrot and Hannah Höch on display in East London galleries this spring, Josephine Berry Slater sees how differently the art of combination can be plied by artists working a century apart

 

Momentous and Deflationary Times

A short video conversation between Anthony Iles, Aileen Burns & Johan Lundh, in the context of CCA Derry’s Momentous Times exhibition, which brought an internationalist and confrontational edge to the 2013 UK City of Culture celebrations. Directed by Caroline Heron and produced by CPVN

 

The Distribution of the Insensible

Setting out from a strong critique of the aesthetics of Jacques Rancière, Nathan Brown reappraises the relationship between labour, physicality and media understood through the work of artist Nicolas Baier

 

We Hate the Users: An Interview with UBERMORGEN

Several decades after the birth of artivism and net art, UBERMORGEN continue to make art with and about networked society. But where net art 1.0 was largely critical of capitalism’s use of networks, today UBERMORGEN’s tactics work through an aesthetics of affirmation. Interview by Stevphen Shukaitis

 

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