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Performance

No Stars, no Solos – just Sound, Motion, and Energy: an Interview with John Gruntfest

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Given the ephemeral nature of improvised music, it is easily forgotten after the performance. Despite that, the work of saxophonist, poet, and musical event organiser, John Gruntfest, is almost criminally overlooked. Stretching over four decades, Gruntfest has played saxophone in a huge number of ensembles, as well as collaborating with political art and theatre groups such as the Pageant Players, the Motherfuckers, Bread and Puppet Theatre and the Living Theatre.

Weaponise Aunt Hester’s Scream

In an expanded review of Arika 4: Freedom is a Constant Struggle, part of an ongoing series of mini-festivals, Sacha Kahir listens to the anguished language of noise and poetry inflected through black experience, politics and artistic traditions

2013 TINAG FESTIVAL
INVITATION

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INDEPENDENT. CRITICAL. FREE. RIGOROUS.

JOIN US AT BISHOPSGATE INSTITUTE | THE CITY OF LONDON | EC2 4QH

FOR THE 4TH This Is Not A Gateway Festival

Accessible Confrontation

To what extent can a contrived transgression of convention address its own contrivance?, asks Robbie Ellen of Tino Seghal’s performance work These Associations

Confrontation (Intro)

 

The Humble Market: Trade Secrets

Friday 22nd June – Sunday 26th August 2012

Part performance, part experience, Trade Secrets presents us with an universe threatened with complete control. Using the lens of the marketplace to ask, "What do we really trade? What should be traded? And what cannot be bought?"

Geraldine Goat – The Hard Way To Enlightenment

Orgy of the Non/Self

Yayoi Kusama’s current Tate Modern retrospective provokes Josephine Berry Slater to join the dots of the artist’s agonising and ecstatic constellation of obliteration and multiplication

 

With Immediate Effect

 

Artistic actions outside the gallery may vary widely in their approach to social space as material, but, as Sophie Schasiepen argues in this review, their representation inside the gallery rarely does

 

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