articles

Chapter 5: Introduction – Organising Horizontally

By tomclark 20 September 2012

Introduction to Chapter 5 of Proud to be Flesh – Organising Horizontally —   The internet’s structure as a distributed netwo...

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Chapter 4: Introduction – Of Commoners and Criminals

By Josephine Berry Slater 22 August 2012

Introduction to Chapter 4 of Proud to be Flesh – Of Commoners and Criminals — What do the themes of this chapter – the G...

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Chapter 3: Introduction – I, Cyborg: Reinventing the Human

By Josephine Berry Slater 22 August 2012

Introduction to Chapter 3 of Proud to be Flesh - I, Cyborg: Reinventing the Human — Donna Haraway’s unforgettable ‘Cybor...

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Chapter 2: Introduction - From Net Art to Conceptual Art and Back

By Josephine Berry Slater 22 August 2012

 Introduction to Chapter 2 of Proud to be Flesh - From Net Art to Conceptual Art and Back — For those introd...

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Chapter 1: Introduction - Direct Democracy and its Demons: Web 1.0 to Web 2.0

By Josephine Berry Slater 22 August 2012

Introduction to Chapter 1 of Proud to be Flesh - Direct Democracy and its Demons: Web 1.0 to Web 2.0 — This chapter interrogates the w...

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Vector Block on Telecom Avenue

By Mark Dery 24 October 2008

Critical Art Ensemble Interviewed by Mark Dery Call them Legion, for they are many; though small in number, Critical Art Ensemble co...

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Is It a Commercial? Nooo… Is It Spam?… Nooo – It’s Net Art!

By Josephine Bosma 24 June 1998

      Vol 1 #10, Summer 1998 The most annoying discussion surrounding net art is the one that asks whether or not n...

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The Conditions of Possibility: Tributes to Marina Vishmidt 1976-2024 (I)

By Mute Collective 6 June 2024

Marina Vishmidt, a much loved and deeply formative contributor for our magazine from its early years, tragically passed away at the end of April. The ...

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Mute Archive Move

By mute 27 June 2022

This June and July the Mute magazine archive is being moved from its current home in a shipping container a hundred miles north of London to a new smaller space in Berlin.

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