articles

Pull the Plug

By Armin Medosch 28 November 2002

Armin Medosch visits Ars Electronica and finds that it takes more than a good festival theme to make a leopard this old change its spots THE FESTIVAL...

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We Are All Normal

By Clive Phillpot 28 November 2002

The savvy and articulate editors of this 400-page book have characterised their collection of writings by visual artists as dependent upon a Nordic co...

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European Social Forum

By JJ King 28 November 2002

In anticipation of the European Social Forum – which will have taken place by the time this issue of Mute comes out – JJ King unravels the politic...

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Microsound Autumn Sale Now On

By Ian Trowell 28 November 2002

Ian Trowell on the demise of the Microsound genre   The microsound genre, fleetingly seen by both postrock overstayers and electronica entrepre...

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Greenpepper

By Simon Worthington 28 November 2002

The Netherlands based magazine greenpepper is the antithesis of a standard industrial media product . A collectively run publication with a ten year h...

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Correspondences

By Mark Pawson 28 November 2002

The Fluxus room in the History/Memory/ Society galleries at Tate Modern has been superseded by Correspondences, a display of postal art ephemera and p...

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Documenta Dreaming

By Maria Fernandez 28 November 2002

The scale and standing of Documenta, Kassel’s four-yearly art bonanza, guarantee its cultural impact almost irrespective of its curatorial agenda. B...

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articles

The Conditions of Possibility: Tributes to Marina Vishmidt 1976-2024 (I)

By Mute Collective 6 June 2024

Marina Vishmidt, a much loved and deeply formative contributor for our magazine from its early years, tragically passed away at the end of April. The ...

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articles

Mute Archive Move

By mute 27 June 2022

This June and July the Mute magazine archive is being moved from its current home in a shipping container a hundred miles north of London to a new smaller space in Berlin.

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