On the occasion of the publication of an anthology of her writing and the accession of a Wages for Housework NY archive at Mayday Rooms in London, Marina Vishmidt interviewed Silvia Federici on her extensive contribution to feminist thought and recent work on debt activism (with contributions by Mute, Mayday Rooms and George Caffentzis)
The art-right are on the rise and even the deep, market-reflexive complacency of the London artscene shows signs of being ruffled. How on earth did reactionaries get a foot hold in galleries and educational institutions, what were people thinking?, asks O.D. Untermesh, and how does the fascist aesthetic of our moment work? Most of all – how can it be opposed?
The Mute magazine print archive has its first release for sale as an original, limited edition set of all fifty-one issues of the print versions of the magazine, covering twenty years of publishing from 1994 to 2014.
'What if our possibility is grounded in the uncoordinated?', asks Pragmatic Sanction, Danny Hayward's ambitious long poem. Among other things it undertakes a scarifying assault on the kind of 'thinking' constituted and compelled by the Government's 'points based' Work Capability Assessment system. Ed Luker works through and illuminates the dizzying deadlocks of a contemporary communist poetry that is neither reconciled nor resolved, but inexhaustibly compelling
Srnicek & Williams’ Inventing the Future proposes a forces-of-production-based programme leading to guaranteed basic income. But do the wageless workers of an already automated and accelerated world really need this new revolutionary ABC? De-Arrest Editorial Services checks out the wares of competing brands of rocket men, left and right, and urges wholesale product recall
This – also freely downloadable – anthology documents projects developed over a two and a half year period. Its critical nature emerges clearly through discussion of an ample range of cultural fields... read more of this review at Neural,
How can ‘solidarity’ be possible in and against the objective conditions that divide us? K. Aarons distinguishes the afropessimist position from the politics of symbolic valorisation or integration, and argues that it is not simply at odds with, but is in fact hostile to identity and privilege politics – whether Black or non-Black. It is the thought and practice of self-abolition that can hope to overcome the present anti-Black structure of humanity.
Mute is hosting this statement in solidarity with the call for a boycott of the Zabludowicz Art Trust. Boycott Zabludowicz was formalised during the violent atrocities committed by the Israeli state against Palestinian people in 2014. We fully support this boycott and call on our readers and writers to join us in solidarity.
The Mute magazine print archive has its first release for sale as an original, limited edition set of all fifty-one issues of the print versions of the magazine, covering twenty years of publishing from 1994 to 2014. Full Details