After the Insurrection that was to come The Invisible Committee’s À nos amis assesses the defeats and 'permanent catastrophe' which never stopped. Alberto Toscano’s extended review, ahead of the book’s English translation, seeks points of agreement among the peaks and pitfalls of a relentless metaphysical attack on network power
It is the rule of European culture to organise the death of the art of living.
Sometimes ethical claims about public space and 'free expression' conceal private interests and violence against the oppressed. Jacob Bard Rosenberg on the case of Dries Verhoeven and some problematic presuppositions of relational and post-internet art practices
Nationally funded surveillance art is still surveillance – Imri Kahn
Massively open online courses (MOOCs) have been sold as the future of higher education but there is more than a whiff of ‘primitive accumulation’ at the new frontier. Dominic Pettman examines the state-and-vulture-capitalist looting of ‘the last great unplundered resource’ and considers some other definitions of educational value
If the last four decades of protracted crisis stem from the increasing productivity of capitalist technology, how does culture index this and how (else) might poets respond to the rise of the machines? Joshua Clover periodises the persistence and restoration of conceptualism within capital’s machinic boom and bust, and considers its fading to be necessarily en route, if not yet complete
Humans make their own history, but contemporary philosophy seems to be adapting the neo-colonial perspectives of neuroscience to dismiss the idea this could ever be a conscious and system-antagonistic process, argue Hannah Proctor and Michael Runyan
If dance becomes dance only by way of thought, as Stamatia Portanova suggests in her new book Moving Without a Body, what happens to movement and the body, when they’re abstracted into the digital? Review by Marco Donnarumma
This book documents the first life-cycle of the Post-Media Lab (2011-2014). Taking up Fèlix Guattari’s challenge, the Lab aimed to combine social and media practices into collective assemblages of enunciation in order to confront social monoformity.