The 'working class should have voted Bernie, not Hilary (that neoliberal machine!)' argument is an apology for a racist, because exclusively white, conception of those disposessed by neoliberalism, and a nostalgia for an older order of national(ist), closed-border capitalism – argues Angela Mitropoulos
Despite commonalities between feminist poetry and Marxist feminism, they have not often crossed paths. How might writing such as Bhanu Kapil’s Ban en Banlieue be able to explore more viscerally the necessarily hidden – often racialised and gendered – remainders of the class relation which otherwise useful Marxist feminist categories cannot articulate fully? What, asks Amy De’Ath, can such poetry lay bare?
How can ‘solidarity’ be possible in and against the objective conditions that divide us? K. Aarons distinguishes the afropessimist position from the politics of symbolic valorisation or integration, and argues that it is not simply at odds with, but is in fact hostile to identity and privilege politics – whether Black or non-Black. It is the thought and practice of self-abolition that can hope to overcome the present anti-Black structure of humanity.
The heterogeneous elements of the Black Lives Matter movement are fighting white supremacy by confronting gendered domination, capitalism, and the repressive apparatuses of the state. Erin Gray traces the critical impulse of the current movement against anti-black violence to the legacy of Ida B. Wells’s radical anti-lynching campaigns, and suggests that the fiercest opposition to police terror in the US has always been against the law
The cop murder of Mike Brown and the subsequent eruption in Ferguson and around the US have raised questions about the value of racialised life and the forms of struggle against race emerging in the face of displacement, immiseration and militarised policing. R.L. traces the coordinates of a militant younger generation that has a different relation to race and class belonging
In its encouragement of a group expression that supports musicians to ‘play beyond themselves’ and to evolve singularities within a shared ‘reservoir of artistic richness’, Howard Slater finds in jazz a response to the experience of slavery; one that evolved outside channels of sanctioned expression, and which preserves and propels a collective being. This is his third column for Mute Music
The Mute magazine print archive has its first release for sale as an original, limited edition set of all fifty-one issues of the print versions of the magazine, covering twenty years of publishing from 1994 to 2014. Full Details