term

Race

Listener As Operator (3)

In its encouragement of a group expression that supports musicians to ‘play beyond themselves’ and to evolve singularities within a shared ‘reservoir of artistic richness’, Howard Slater finds in jazz a response to the experience of slavery; one that evolved outside channels of sanctioned expression, and which preserves and propels a collective being. This is his third column for Mute Music

 

 

They Want the Money, So Do We

Madame Tlank reviews Selma James, Sex Race and Class: the Perspective of Winning, Oakland: PM Press, 2012

 

In memoriam, Shulamith Firestone

 

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