On the occasion of the publication of an anthology of her writing and the accession of a Wages for Housework NY archive at Mayday Rooms in London, Marina Vishmidt interviewed Silvia Federici on her extensive contribution to feminist thought and recent work on debt activism (with contributions by Mute, Mayday Rooms and George Caffentzis)
The Greek crisis is often diminished to a simple story of Debt versus the People. Richard B moves between the symptomatic details of everyday life in Athens today and the deep history of the crisis to recover gleams of human possibility beyond the narrative of bad bankers and rad technocrats
'Jetpack communism' or 'Marxist heresy'? Today's younger red tories (also known as 'left accelerationists') approach capitalism's contradictions and the threat of communism from the perspective of management, reviving a project resembling the ambiguously socialist nationalist and new right discourse of 'planisme' (developed in France and Belgium in the 1930-50s).
How do we turn the normalisation of precarity into a basis for collective action? While the social category ‘precariat’ grafted over differences, Isabell Lorey’s new book imagines how interlocking differentials of insecurity can be harnessed as a weapon of struggle. Review by Sarah Charalambides
In his assessment of the latest film in Melanie Gilligan’s trilogy on crisis, capital and community Jasper Bernes emphasises the necessity and difficulty of distinguishing between the community of capital – its expansive entrainment of the senses – and the unrealised project of a resistant human community
If art is a commodity, is it just a commodity, subject to the law of value? Or does art's distinctive process of production render it capable of a relative, and critical, independence? Daniel Spaulding and Nicole Demby explore the relations of art, value and their imbricated, but not necessarily identical, forms of ‘freedom’, urging us to think beyond the binary of art as either liberatory and subversive or uncritical captive of capital
Helen Macfarlane was a Chartist revolutionary, the translator who put the ‘hobgoblin’ in the Communist Manifesto, and an advocate of ‘the total demolition of the present system of things’ on Christian grounds. Peter Linebaugh welcomes the 150 years-overdue publication of her writings, invoking the Blood and Fire of that earlier ‘ruthless critic of everything that exists’, John Bunyan