Nymphomaniac: Sex Against Gender

Still from Nymphomaniac: Walther PPK

Lars von Trier’s Nymphomaniac considers the feasibility of love with men, and whether heterosexual fucking – or abjuring it – can be women’s self-propulsion into the making of history


View from a Kill

The morally disgusting asymmetry of drones relates not only to their deployment by the powerful against the weak, but also to the radical disparity of risk entailed in exposing the defenceless living to pilotless killing machines. In her review of George Barber’s recent film Freestone Drone, artist Kate Rich, co-creator of the first art drone 'The BIT Plane', considers the sickly prospect of a drone that assumes (a happy) consciousness


Object Oriented Marxism?

Reconceiving man's relations to matter and the world of objects was not always the politically insipid theoretical pastime it has become. Here, Simon Mussell revisits the Frankfurt School's work to explore how their consideration of the 'thicket of material life' created new lines of resistance to social alienation



Our things in our hands must be equals, comrades

― Aleksandr Rodchenko, 1925



"It is the flattest and the dullest parts that in the end have the most life."

Robert Bresson

Nice Monsters and Scary Sprites


Harmony Korine's recent film Spring Breakers doesn't exactly reward stringent sociological critique. His use of manipulative, mnemonic, stylised and hyper-seductive techniques demands to be taken seriously in a different way. But how? Mira Mattar meets him at the threshold



If dogs sit faithfully at the lowest and highest reaches of human history might they provide a useful guide for exploration of an anthropocene which is both tragic and absurd? Hannah Black reviews Matthew Noel-Tod’s recent film


Origin and Extinction, Mourning and Melancholia

If extinction is inscribed into and necessary for the emergence of life, how, asks Nathan Brown, can we ever integrate the mourned object into our material lives? And what part, if any, can cinema play in this mediation?


The true health of spirit consists in the perfection of reminiscence.

– Arthur Schopenhauer


The Missing Factory

In the early 1970s, at the meeting point of workplace occupations and critical film-making, 20th century art's attraction to the factory reached a representational impasse. Taking up Harun Farocki’s idea that factory work has been systematically expunged from cinema, John Roberts considers why this hegemonic site of value-production must remain absent from film and bourgeois culture more generally


The Last Time Machine

The west used to dream of travel to the future, but since the ’70s all roads seem to lead to either dystopia or nostalgia for the past. Robert Barry reviews the fate of the time machine through a century of film


Video Vortex #9 : video re:assemblies

Open Call!

28 February - 2 March 2013

Video as an artifact always has been assembled. Now at this critical stage of digital video culture, it gets reassembled on a new level: between new affordances, attention shifts and the threat of over-regulation and customization, a.k.a. ‘walling’ and ‘gardening’.

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