OpenMute Press
Video Vortex, an artistic network concerned with the aesthetics and politics of online video, gathered again in Malta for a two-day conference. We were in particularly focussing on bringing new research, theory and critiques of online video– in addition to questions around its integration with social media – to Malta. These proceedings are an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at https://vv12.org, and an offline version – stored on a server inside a VHS case.
Price £250 + p&p Pre-assembled - PayPal
Publisher
Institute of Network Cultures
https://networkcultures.org/
Year
2021
Editors
Adnan Hadzi
Andreas Treske
Geert Lovink
Sabrina Calleja Jackson
Tech Team
Harris Niavis (MaziZone Programmer)
Andrea Rota (Server Administrator)
Producers
University of Malta
Fondazzjoni Kreattivita
Institute of Network Cultures
Cover Design
Raquel Eulate
Assembly On-Demand
OpenMute Press
ISBN
978-1-906496-85-2
Supported and Funded by
Ministry for Finance Malta
Collective Awareness Platforms for Sustainability and Social Innovation (CAPSSI)
The Mazi project was funded through the European Union’s Horizon 2020 ICT CAPS initiative under grant agreement no 687983
Thanks to
Vince Briffa (University of Malta)
Toni Sant (Spazju Kreattiv)
Panayotis Antoniadis (MaziZone.eu)
Simon Worthington (OpenMute)
A boat book - computer book stored on a Raspberry Pi computer packaged in a VHS case
Also available as online sd card image to download.
Micro Computer Book SD image - https://archive.org/details/180905boattrpiimage
ISBN: 978-1-906496-09-8 - 9781906496098, 2019, published by University of Malta Press
Price - Pre-assembled: €250. Postage included.
Digital Arts on the British Waterways
This boat book documents our journey on our narrowboat ‘Quintessence’ and the development of the boattr prototype in collaboration with MAZI (for “together” in Greek), a Horizon 2020 research project. Boattr connects narrow boats to the ‘Internet-of-Things’ and allows for open wireless mesh-networking within the narrow boat community, by using affordable microcomputers. The main goal of this project is to provide technology and knowledge that aims to 1) empower those narrow boats who are in physical proximity, to shape their hybrid urban space, together, according to the specificities of the respective local environment, and 2) foster participation, conviviality, and location-based collective awareness of the canals.
This is an edited collection of assembled and annotated boat logs, photographs and video essays, manifested, in a scholarly gesture, as a ‘computer book'.
The boattr prototype was built on the MAZI toolkit and the capabilities offered by Do-It-Yourself networking infrastructures – low-cost off-the-shelf hardware and wireless technologies – that allow small communities or individuals to deploy local communication networks that are fully owned by local actors, including all generated data. These DIY networks could cover from a small square (e.g., using a Raspberry Pi) to a city neighbourhood (e.g., the Commotion Construction Kit used at the RedHook WiFi initiative) or even a whole city (e.g., guifi.net, awmn.net, freifunk.net), and in the case of boattr the UK canal network.
The boattr DIY infrastructures offer a unique rich set of special characteristics and affordances for offering local services to the narrow boat community, outside the public Internet: the ownership and control of the whole design process that promotes independence and grass-roots innovation rather than loss of control and fear of data shadows; the de facto physical proximity of those connected without the need for disclosing private location information, such as GPS coordinates, to third parties; the easy and inclusive access through the use of a local captive portal launched automatically when one joins the network; the option for anonymous interactions; and the materiality of the network itself. The prototype integrates existing FLOSS software, from very simple applications to sophisticated distributed solutions (like those under development by the P2Pvalue project, mobile sensing devices, and recent developments in open data and open hardware), allowing it to be appropriated by different non-expert users according to their respective context and use case.
Table of Contents
Research Journal
Adnan Hadzi
Boat Log
Adnan Hadzi & Natascha Sturny
Reflections
Natascha Sturny, Rob Canning & James Stevens
Videos
Adnan Hadzi
Images
Natascha Sturny
Resources
Franz Xaver & Anton Galanopoulos
Editor
Adnan Hadzi
Authors Collective
Adnan Hadzi
Natascha Sturny
Franz Xaver
Anton Galanopoulos
James Stevens
Rob Canning
Tech Team
Harris Niavis - MAZI Programmer
Giannis Mavridis - Micro-Computer Programmer
Producers
Adnan Hadzi - Format Development & Interface Design
Panayotis Antoniadis - MAZI Project Manager
Mark Gaved - Coordination Creeknet
Quintessence Logo: H1 Reber / Buro Destruct
Cover artwork and booklet design: OpenMute Press
Copyright: the authors
Licence: after.video is dual licensed under the terms of the MIT license and the GPL3
http://www.gnu.org/licenses/gpl-3.0.html
Language: English
Assembly On-demand
OpenMute Press
Acknowledgements
Co-Initiated + Funded by
Horizon 2020 - The EU framework programme for research and innovation
The Mazi project (2016-2018) has received funding from the European Union’s Horizon 2020 ICT CAPS initiative under grant agreement no 687983.
Thanks to
Ushi Reiter - Art Meets Radical Openness, Servus.at, Linz
Vince Briffa - Department of Digital Arts, University of Malta
Clemens Apprich - Centre for Digital Cultures, Lüneburg
Rob Canning - School of Art and Design, Coventry University
Gary Hall - School of Art and Design, Coventry University
Simon Worthington - OpenMute Press, London/Berlin
A video book - paperback book and video stored on a Raspberry Pi computer packaged in a VHS case
Also available as online video and book PDF download.
Video and PDF - http://after.video/assemblages
ISBN: 978-1-906496-23-4, 2017, published by Open Humanities Press
Price - Pre-assembled: GBP 122, Self-assembly GBP 88. Plus postage
Theorising a World of Video
after.video realizes the world through moving images and reassembles theory after video. Extending the formats of ‘theory’, it reflects a new situation in which world and video have grown together.
This is an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at http://after.video/assemblages, and an offline version – stored on a server inside a VHS (Video Home System) case. This is both a digital and analog object: manifested, in a scholarly gesture, as a ‘video book'.
We hope that different tribes — from DIY hackercamps and medialabs, to unsatisfied academic visionaries, avantgarde-mesh-videographers and independent media collectives, even iTV and home-cinema addicted sofasurfers — will cherish this contribution to an ever more fragmented, ever more colorful spectrum of video-culture, consumption and appropriation...
Table of Contents
Control Societies
Clare Birchall + Gary Hall + Peter Woodbridge
Scannable images: materialities of Post-Cinema after Video
Karin + Shane Denson
Isistanbul
Serhat Köksal
The Crying Selfie
Rózsa Zita Farkas
Guided Meditation
Deborah Ligotrio
Contingent Feminist Tacticks for Working with Machines
Lucia Egaña Rojas
Capturing the Ephemeral and Contestational
Eric Kiuitenberg
Surveillance Assemblies
Adnan Hadzi
You Spin me Round – Full Circle
Andreas Treske
Editorial Collective
Oliver Lerone Schultz
Adnan Hadzi
Pablo de Soto
Laila Shereen Sakr (VJ Um Amel)
Tech Team
Jacob Friedman - Open Hypervideo Programmer
Anton Galanopoulos - Micro-Computer Programmer
Producers
Adnan Hadzi - OHP Managing Producer
Jacob Friedman - OHV Format Development & Interface Design
Joscha Jäger - OHV Format Development & Interface Design
Oliver Lerone Schultz - Coordination CDC, Video Vortex #9, OHP
Cover artwork and booklet design: Jacob Friedman
Copyright: the authors
Licence: after.video is dual licensed under the terms of the MIT license and the GPL3
http://www.gnu.org/licenses/gpl-3.0.html
Language: English
Assembly On-demand
OpenMute Press
Acknowledgements
Co-Initiated + Funded by
Art + Civic Media as part of Centre for Digital Cultures @ Leuphana University.
Art + Civic Media was funded through Innovation Incubator, a major EU project financed by the European Regional Development Fund (ERDF) and the federal state of Lower Saxony.
Thanks to
Joscha Jaeger - Open Hypervideo (and making this an open licensed capsule!)
Timon Beyes - Centre for Digital Cultures, Lüneburg
Mathias Fuchs - Centre for Digital Cultures, Lüneburg
Gary Hall - School of Art and Design, Coventry University
Simon Worthington - OpenMute
Finally in print!! - the seminal work of post-dystopian elegiac apocalypse fiction from acclaimed sub-Beckettian Charlie Weaver Rolfe - funny, sad and maybe true!!
ISBN 9781906496326
Date of Publication: 24/4/2009
176 pages

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