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Reproducing Autonomy: Work, Money, Crisis and Contemporary Art

By Kerstin Stakemeier & Marina Vishmidt

ISBN paperback: 978-1-906496-99-9

eBook: 978-1-906496-71-5

Mute Books, May 2016

Price paperback £14 15€ $18 - available from your local bookstore via our distributor Anagram or via online retailers.

Progress in autonomy cannot be – nor historically has it ever been – measured in quantitative units. Rather, the need for autonomy is repositioned in relation to society’s political, economic, and cultural developments on an ongoing basis. What do we mean when we speak of ‘autonomy’ and ‘reproduction’ in the field of contemporary art? What kind of objects do these terms encompass, what are their histories, and what internal logical relations can we identify between these concepts? How do they operate in a philosophical discourse about art and in political theory and practice?

In this book, Marina Vishmidt and Kerstin Stakemeier analyse ‘autonomy’ and then ‘reproduction’, in the understanding that this method of categorical isolation must be overcome if we are to reach towards the relationship of the two terms. These three essays establish a new framework to locate notions of artistic autonomy and autonomies of art. The texts not only offer an entrance into thinking about the role that autonomy has occupied in modern European intellectual history; they also put forward an original thesis.

Countering liberal conceptions of the autonomous entrepreneurial subject, Kerstin Stakemeier and Marina Vishmidt side with those cast in the role of the heteronomous, such as domestic and reproductive workers. From the vantage point of reproductive labour, Stakemeier and Vishmidt make a compelling case for the ongoing relevance of the notion of autonomy in the context of art, beyond and against modernist accounts of self-sufficient artworks produced and received by self-sufficient subjects. Vishmidt and Stakemeier operate like true feminist materialists, looking more than a little bit closer, and tarrying with thought as a mode of praxis.

– Sven Lütticken, Editor of Art and Autonomy (Afterall, 2016)

Whereas classical positions of the Left oscillate between a total rejection and an unconditional embrace of the concept of autonomy in Art, Kerstin Stakemeier and Marina Vishmidt do both at the same time. Within a strictly materialist approach they reconstruct the function of the concept within the transition from formal to real subsumption under Capital, thus showing its intrinsic conjuncture with the reproduction of social relations. As such, however, the concept is not rejected completely, but appropriated as a horizon for practices of change in terms of an ongoing autonomisation in politics and in art.

– Helmut Draxler

This outstanding multipart discursus on aesthetic autonomy begins with the constitutive ‘freedom’ of art production from the socially necessary abstract labour demanded of all other labour in the capitalist economy. After establishing this basic autonomy, the book proceeds to unfold other aspects that point to art’s simultaneous heteronomy in its present economic and social roles, and in so doing, unpacks salient contradictions regarding art’s imbrication, and privileged position within, capital’s conflict ridden present. The subordination of reproductive labour becomes important for the theoretical structure of this book. Throughout their argument, Stakemeier and Vishmidt trace connections between art, aesthetic autonomy and reproductive labour - the traditionally feminine labour of housework, child rearing, affective labour, among other things - and where they pursue the possibility that a more corrosive quality to that autonomy might result from their overlap, the work goes into truly uncharted territory.

– Melanie Gilligan

A German language edition will be published as "A-Autonomie" in autumn 2016 in the series "Kleiner Stimmungs-Atlas in Einzelbänden" by Textem Verlag, Hamburg. Kerstin Stakemeier, Marina Vishmidt: A - Autonomie, 16 Euro, 978-3-86485-128-5

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In late 1994, back in the days of dial-up modems and Netscape Navigator 1.0, Mute magazine announced its timely arrival. Dedicated to an analysis of culture and politics 'after the net', Mute has consistently challenged the grandiose claims of the communications revolution, debunking its utopian rhetoric and offering more critical perspectives.

Fifteen years on, Mute Publishing and Autonomedia are delighted to announce the publication of Proud to be Flesh: A Mute Magazine Anthology of Cultural Politics after the Net. The anthology selects representative articles from the magazine's hugely diverse content to reprise some of its recurring themes. This expansive collection charts the perilous journey from Web 1.0 to 2.0, contesting the democratisation this transition implied and laying bare our incorporeal expectations; it exposes the ways in which the logic of technology intersects with that of art and music and, in turn and inevitably, with the logic of business; it heralds the rise of neoliberalism and condemns the human cost; it amplifies the murmurs of dissent and revels in the first signs of collapse. The result situates key – but often little understood – concepts associated with the digital (e.g. the knowledge commons, immaterial labour and open source) in their proper context, producing an impressive overview of contemporary, networked culture in its broadest sense.

Proud to be Flesh features a bold mix of essays, interviews, satirical fiction, email polemics and reportage from an array of international contributors working in art, philosophy, technology, politics, cultural theory, radical geography and more. Accessible introductions, a chronological arrangement of chapters and three full-colour image sections grant special insight into the evolution of key themes over time.

In its refusal of specialisation, Proud to be Flesh is unique in its field. It offers a compelling view onto the messy but exciting moment that was the turn of the millennium as well as being an incomparable sourcebook for those seeking to push forward analysis of the global crisis that has since ensued.

ISBN Hardback: 978-1-906496-27-2

ISBN Softback: 978-1-906496-28-9

Date of Publication: 4/11/2009

624 pages