Permanent Reproductive Crisis: An Interview with Silvia Federici

NY Wages For Housework Poster

On the occasion of the publication of an anthology of her writing and the accession of a  Wages for Housework NY archive at Mayday Rooms in London, Marina Vishmidt interviewed Silvia Federici on her extensive contribution to feminist thought and recent work on debt activism (with contributions by Mute, Mayday Rooms and George Caffentzis)


Event: Signal:Noise II

Ricardo Basbaum, 'Superpronoun: 9 Me-You Choreographies', diagram, 2003

Signal:Noise II

Friday 20 – Saturday 21 January 2012

The Showroom Gallery, 63 Penfold Street, London NW8


Call for Issue 2. Corrupting Desires! Technique, Performance and Control

Email to:

We are currently accepting submissions for Issue 2 of Cesura//Acceso, to be published in June 2016.

Our central theme will be: Corrupting Desires! Technique, Performance and Control.

Art’s Economic Exceptionalism

Whilst left critiques habitually relate art to capitalist commodification, few do this on strictly economic grounds, let alone cogently. Josefine Wikström argues that finally we do have a book that fulfills exactly this task



Inside Out
Marx famously described capitalism as mad and inverted. Daniel Spaulding re-examines speculative realism through an Adornian prism to disclose a thought of ‘the great outdoors’ beyond capital that is very much immanent to a world not only upside down but increasingly inside out 

Nervous Costume

Madame Tlank digresses from and back to Anne Boyer’s Garments Against Women, which is many things. A memoir written by someone without a history. A garment made for no-body. A reproduction fin in a great fleet of sharks


Down With Supreme Whateverness: On Anne Boyer's Garments Against Women


a catalogue of whales that is a catalogue 

This arresting essay presents an in depth account of the so-called 'system-upgrade' of welfare reform in the UKplc: Universal Credit

Reposted from:


For the sword outwears its sheath,

And the soul wears out the breast,

And the heart must pause to breathe,

And love itself have rest.


Building Downwards

In their review of Keller Easterling’s Subtraction, Luisa Lorenza Corna and Alan Adam Smart interrogate an architectural theory that makes an economic virtue of contracted social reproduction


Capital and Community: On Melanie Gilligan’s Trilogy

In his assessment of the latest film in Melanie Gilligan’s trilogy on crisis, capital and community Jasper Bernes emphasises the necessity and difficulty of distinguishing between the community of capital – its expansive entrainment of the senses – and the unrealised project of a resistant human community


Art, Value, and the Freedom Fetish

If art is a commodity, is it just a commodity, subject to the law of value? Or does art's distinctive process of production render it capable of a relative, and critical, independence? Daniel Spaulding and Nicole Demby explore the relations of art, value and their imbricated, but not necessarily identical, forms of ‘freedom’, urging us to think beyond the binary of art as either liberatory and subversive or uncritical captive of capital


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