On the occasion of the publication of an anthology of her writing and the accession of a Wages for Housework NY archive at Mayday Rooms in London, Marina Vishmidt interviewed Silvia Federici on her extensive contribution to feminist thought and recent work on debt activism (with contributions by Mute, Mayday Rooms and George Caffentzis)
While recycling is promoted as universally positive the material processes associated with recycling itself are potentially dangerous. Essays by Brian Ashton, Steve Tombs & David Whyte, together with an artwork by David Jacques, explore the dirty business of ‘regeneration’ on Liverpool’s dockside
If the last four decades of protracted crisis stem from the increasing productivity of capitalist technology, how does culture index this and how (else) might poets respond to the rise of the machines? Joshua Clover periodises the persistence and restoration of conceptualism within capital’s machinic boom and bust, and considers its fading to be necessarily en route, if not yet complete
The theory of programmatism describes the struggle of labour to affirm itself as a class within and against capital. Here Daniel Spaulding explores the intimate relation between this politics and the inner logic of artistic modernism. If modernism and the value form were once antagonistic but inextricable utopias, does art today exist between obsolescence and abolition?
Developing a presentation given at the Accelerationism symposium in Berlin December 2013, Ray Brassier draws upon the divergent theories of 'accelerationism' and 'communisation' whose mutual illumination exposes the problems of articulating cognitive abstraction and social practice
A short video conversation between Anthony Iles, Aileen Burns & Johan Lundh, in the context of CCA Derry’s Momentous Times exhibition, which brought an internationalist and confrontational edge to the 2013 UK City of Culture celebrations. Directed by Caroline Heron and produced by CPVN
Setting out from a strong critique of the aesthetics of Jacques Rancière, Nathan Brown reappraises the relationship between labour, physicality and media understood through the work of artist Nicolas Baier