Permanent Reproductive Crisis: An Interview with Silvia Federici

NY Wages For Housework Poster

On the occasion of the publication of an anthology of her writing and the accession of a  Wages for Housework NY archive at Mayday Rooms in London, Marina Vishmidt interviewed Silvia Federici on her extensive contribution to feminist thought and recent work on debt activism (with contributions by Mute, Mayday Rooms and George Caffentzis)

 

Event: Signal:Noise II

Ricardo Basbaum, 'Superpronoun: 9 Me-You Choreographies', diagram, 2003

Signal:Noise II

Friday 20 – Saturday 21 January 2012

The Showroom Gallery, 63 Penfold Street, London NW8

 

In and Out of Art and Work: On the W.A.G.E. Certificate

In 2014 W.A.G.E. (Working Artists and the Greater Economy) launched a campaign of certification which ‘publicly recognizes non-profit arts organizations [...] paying artist fees that meet a minimum payment standard’. Josefine Wikström assesses the campaign’s aims within art’s complex relation to the capitalist division of labour

 

Southwark Notes on the early bloom of London housing struggles in 2015. Reposted from: https://southwarknotes.wordpress.com/2015/02/21/regeneration-is-violence/

THE PAST DEVOURS THE FUTURE: PIKETTY'S CAPITAL

He's got the whole world in his hands

Sander casts a critical eye on Thomas Piketty's Capital in the 21st Century and the debates it provoked

 

When the Streets Run Red: For a 21st-Century Anti-Lynching Movement

The heterogeneous elements of the Black Lives Matter movement are fighting white supremacy by confronting gendered domination, capitalism, and the repressive apparatuses of the state. Erin Gray traces the critical impulse of the current movement against anti-black violence to the legacy of Ida B. Wells’s radical anti-lynching campaigns, and suggests that the fiercest opposition to police terror in the US has always been against the law

 

Burning Dwelling Thinking

After the Insurrection that was to come The Invisible Committee’s À nos amis assesses the defeats and 'permanent catastrophe' which never stopped. Alberto Toscano’s extended review, ahead of the book’s English translation, seeks points of agreement among the peaks and pitfalls of a relentless metaphysical attack on network power

 

It is the rule of European culture to organise the death of the art of living.

An eye for an eye and the whole world can see: State Violence, Street Justice

Cops die also

Political violence doesn't happen in isolation. If you already knew that, pay attention as Alex Gawenda and Ashok Kumar connect Nat Turner, Ranajit Guha, black Zimbabweans' hands-on land reform, firebombed Nottingham police stations and other 'outrages' to prove that what it means is not so anodyne. Some subalterns would rather 'blow up Gordian knots' than humbly petition against the global distribution of class and racial bloodletting.

The Body is Evidence

In his review-collage of Forensis, a book of essays accompanying the recent Forensic Architecture exhibition at Berlin's Haus der Kulturen der Welt, artist Martin Howse discovers not only the materiality of crime-scenes, but of all architecture, to be implicated in death

 

Object

 

A dispatch from Berlin on post-internet art by Jacob Bard-Rosenberg reposted from: http://prolapsarian.tumblr.com/post/105025464662/all-the-worlds-a-platform-dispatches-from-berlin

 

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