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magazine

Mute Vol 2, No. 15 − Grey Goo Grimoire

'Grey Goo’ is a hypothetical end-of-the-world scenario involving molecular nano-technology in which out-of-control self-replicating robots consume all matter on Earth while building more of themselves. This spectacularly dystopian meme not only provides a Sci Fi analogue for the carnage reaped by capital accumulation, but also conceives of its residue – a world not definitively destroyed, but degenerated into a mass of undifferentiated, yet still active goo. The goo’s combination of inhuman self-replication and destruction is an instance of how the pop imaginary conceives of The End. Not as an interruption ushering in the transvaluation of all values, but as an infinite extension of more of the same old shit. Writers in this issue of Mute also recognise the likelihood of this gooey scenario in which crisis doesn’t automatically release us from our current conditions but may well simply deepen them. Soberly examining the general deployment of endings, from Hollywood disaster movies to anti-capitalist theory to the manipulation of climate-change panic, this issue of Mute puts an end to the endgames.

FURTHER DESCRIPTION

Crisis at the ICA

J.J. Charlesworth on why the ICA's crisis is not an accident of recession

 

An End Without End

Evan Calder Williams takes aim at Hollywood's world-affirming vision of The End

 

Apocalypse, Tendency, Crisis

Benjamin Noys urges us to rethink radical theory's apocalyptical tone

 

Post-Crunch Futures (Part II)

We continue our fiction series extrapolating the impact of the credit crunch and techno-capitalism into a deadly near future − with stories by Matthew Fuller and Anthony Iles

 

Artist's Project: Steganographia

By Martin Howse

 

How Not To Be an Atheist

Ben Pritchett picks apart the jumbled relation between ethics, new media and subjectivity

 

Hung, Drawn and Quartered

Owen Hatherley on 'urban renaissance' and its discontents, and its not-so-discontents

 

Against Representation

Noise artist Mattin probes the enigma of radical performativity

 

Hopenhagen Against Hope

Ilya Lipkin on COP15's attempt to commodify disaster and hope

 

Illustrations

Tim Goldie, Caroline Heron

 

 

ISSN 1356-7748-215

ISBN 978-1-906496-45-6

 

Dimensions: 22.4 x 15.2 x 1.3 cm

134 pages

 

TABLE OF CONTENTS

Crisis at the ICA: Ekow Eshun's Experiment in Deinstitutionalisation

By JJ Charlesworth

An End Without End: Catastrophe Cinema in the Age of Crisis

By Evan Calder Williams

Apocalypse, Tendency, Crisis

By Benjamin Noys

Post-Crunch Futures II: A Mute Fiction Special

By Matthew Fuller and Anthony Iles

Steganographia

By Martin Howse

How Not to be an Atheist

By Ben Pritchett

Hung, Drawn and 'Quartered'?

By Owen Hatherley

Against Representation: A Revolution in Front of You

By Mattin

Hopenhagen against Hope

By Ilya Lipkin

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