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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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Userland, OpenMute Tour, 2005/2006 Events

UserLand is a project initiated by Mute in response to user experiences of its software/services project, OpenMute. Soon after the launch of OpenMute, it became clear that we had made certain assumptions about users' levels of internet experience that had to be addressed: even with OpenMute's explicit emphasis on accessibility, ease of use and user education, for many the platform was still too complicated, containing specialist language, as well as many illogical technical sequences associated with the underlying software which became an obstacle to people getting further than the initial sign-up stage.

There was a surprisingly high uptake in FLOSS- or new media-associated groups outside of the UK and Europe, but it was also clear that this followed the route of existing professional, social and cultural information networks. Aside from a few enquiring minds in the healthcare and small business sectors who frequently found a use for our tools (!), in a broad sense OpenMute users were concentrated in the cultural communities most closely associated with Mute's own. We therefore felt the onus was on us to perform the necessary 'outreach'. We wanted to explain and popularise the tools on offer, describe the context of free software from which they emerged, and generally make the effort less centred on London and other urban metropoles. The result is UserLand, a national tour devised in collaboration with ten new media organisations around the UK, in which Mute is programming 2 day workshops divided equally between presentations on the use of FLOSS in art and culture, and a how-to guide on creating your own website using OpenMute tools.

See the tour leaflet

 

 

USERLAND: FLOSS culture workshop tour :. 10 venues/ 10 artists

Venues and dates

2005
Folly, Lancaster - 6th & 7th July w/ Matteo Pasquinelli
Exeter Phoenix - 4th & 5th Nov w/ Furtherfield
Polytechnic/Isis, Newcastle upon Tyne - 10th & 11th Nov w/ Yves Degoyen
I-DAT, Plymouth - 15th & 16th Nov w/ Jaromil
Norwich Arts Centre - 1st & 2nd Dec w/ Mongrel

2006
Jellied Eel Shed, Southend-on-Sea - 21st & 22nd Jan w/ Simon Yuill
Cambridge Junction - 26th & 27th Jan w/ Aymeric Mansoux
The Cube Cinema, Bristol - 14th & 15th March w/ Agnese Trocchi
The Whitechapel Centre, London - 24th & 25th March 
w/ Aymeric Mansoux/PureDyne
Artsway/SCAN, Sway New Forest - 3rd & 4th April w/ Diane McCarty

FLOSS cultural groups and artists
Agnese Trocchi, Candida TV
Aymeric Mansou, GOTO10 / Pure Dyne
Diane McCarty, ReBoot radio network
Furtherfield, Artists led group
Heath Bunting, Irational
Jaromil, Rastasoft & dyne:bolic
Matteo Pasquinelli, Rekombinant
Mongrel, Cultural network
Simon Yuill, Artist
Yves Degoyen, Hackitecture

AttachmentSize
OpenMute_leaflet_userland.pdf139.02 KB

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Mute Archive

Recomposing the University -
By Tiziana Terranova & Marc Bousquet
July 2004

Far removed from the clichéd image of the ‘ivory tower’, today’s universities have been opened to the harsh realities of neoliberal economics. In the name of democratisation and equality, the university has become a cross between a supermarket and a factory whose consumers are also its hyper-exploited labour force. But the conditions of mass intellectuality also create new potentials and alliances

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