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Editorial content |
Submitted by mute on Tuesday, 11 December, 2007 - 13:45
Pil and Galia Kollectiv Ironic distance is ambiguous. It grounds both critique and detached resignation to the status quo. What becomes of it in the viral world of web 2.0?, ask Pil and Galia Kollectiv subject: Blogging | Intellectual Property | Internet | Mute Vol 2 #7 | Web 2.0
Editorial content |
Submitted by mute on Thursday, 10 May, 2007 - 11:20
Paul Helliwell As the scarcity essential to the cultural commodity is undermined by digital abundance and social networking, social relations and the unique ‘live’ performance are all that's left to sell. Mass market music increasingly resembles relational art with its dream of waking the ‘zombies’ of consumer culture, but are the citizens of Web 2.0 society born again or undead? Paul Helliwell shuffles through the mall subject: Blogging | Free Software | Intellectual Property | Music | Peer2Peer | Relational Aesthetics | Web 2.0
Editorial content |
Submitted by mute on Monday, 29 January, 2007 - 16:43
Olga Guriunova Will the ‘hive mind’ of social networking replace classical forms of knowledge production? Comparing Web 2.0 and small-scale, self-run cultural platforms, Olga Goriunova maintains the possibility for originality in both contexts, while identifying how the same old commercial and institutional pressures still operate subject: Avant-Garde | Blogging | Independent Media | Intellectual Property | Internet | Net Art
Editorial content |
Submitted by mute on Monday, 29 January, 2007 - 16:41
Angela Mitropoulos Do blogs and social network-based sites offer the prospect of a democratic sociability without borders or wars? Should unpaid producers of content struggle for fair compensation? Or does the very sense of ownership, justice and right founded on labour need to be shaken up? Angela Mitropoulos takes a critical look at the dissident pragmatism of the startup and the ‘alternative’ economies of the digital commons subject: Blogging | Class | Commons | Globalisation | Intellectual Property | Internet | Marxist | Post-Autonomist | Technology | War
Editorial content |
Submitted by mute on Monday, 29 January, 2007 - 16:35
Dmytri Kleiner & Brian Wyrick The hype surrounding Web 2.0’s ability to democratise content production obscures its centralisation of ownership and the means of sharing. Dmytri Kleiner & Brian Wyrick expose Web 2.0 as a venture capitalist’s paradise where investors pocket the value produced by unpaid users, ride on the technical innovations of the free software movement and kill off the decentralising potential of peer-to-peer production subject: Blogging | Commons | Free Software | Intellectual Property | Internet | New Economy | New Enclosures | Peer2Peer
Editorial content |
Submitted by mute on Wednesday, 13 December, 2006 - 17:14
OpenPublishing |
Submitted by pauline on Wednesday, 22 November, 2006 - 14:09
Pauline van Mourik Broekman http://www.artscouncil.org.uk/artsdebate/ The Arts Council has got a blog on... As part of the 'first ever public value enquiry' into the arts, ACE is creating an elaborate set of feedback mechanisms, one of which is a website discussion currently well underway at Artscouncil.org.uk. Nothing is yet visible of the focus groups, meetings and one-to-one interviews that are also promised in this £500,000 enquiry, but the website augurs interesting times ahead. To respond to an apparently widely felt dissatisfaction with ACE's existing 'tick box' style indices (deemed, one imagines, to be crude and demeaning of art's higher functions), this process has ostensibly been initiated to shape what Chief Exec Peter Hewitt describes as 'a more contemporary notion of accountability in the publicly funded arts sector, one that is meaningful to the Arts Council’s own ambitions, to the individuals and organisations we fund and to wider society.'
OpenPublishing |
Submitted by ulises on Wednesday, 30 August, 2006 - 20:01
Ulises Mejias Can social media increase and improve civic participation? If so, in what ways? There's a lot being said and written about the subject these days, but it is difficult to get a clear overview of the opinions. I attempt here to collect viewpoints both for and against the premise that social media is creating a better public sphere, and analyze them in the context of what constitutes a public and its antithesis, a mass. In presenting what are sometimes extreme positions within this debate (too idealistic v. too critical), my hope is to begin to understand the reality that lies in the middle, and come closer to understanding social media's potential (and limitations) as a tool to bring about social change. (originally published here under a Creative Commons license) At a general level, we could say that on one side of the debate are those who believe that social media can increase civic participation and shift the balance of power away from the institutions that currently stand in the way of change. On the other side are those who warn that social media can only offer a reduced form of participation, that it diminishes the value of individual contributions, and that it leaves social systems more prone to manipulation by lowering their intelligence to the minimum common denominator (i.e., stupidity or mediocrity). Thus, the debate can be framed in terms of whether social media can engender democratic publics that embody an intelligence and capacity for action greater than the sum of its members, or whether it will merely continue to support the production of anti-democratic masses of disenfranchised and alienated consumers. Of course, social media is a big label encompassing many different technologies, and even the same technologies can be applied differently in various contexts. But while features and applications might differ, the people contributing to this debate are obviously focused on the aggregated impact that social media is having on our societies rather than on specific examples of applications. subject: Blogging | Broadcast Media | Government | Media | Neoliberal | Politics
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