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Ironic distance is ambiguous. It grounds both critique and detached resignation to the status quo. What becomes of it in the viral world of web 2.0?, ask Pil and Galia Kollectiv
Challenges to traditional copyright resulting from peer-to-peer applications, free software, filesharing and appropriation art have caused a wide ranging debate on the future of copyright. Dmytri Kleiner brings existing critiques of material property from the left to bear upon the realm of copyleft artistic production and asks how, within the existing copyright regime, can artists earn a living?
As the scarcity essential to the cultural commodity is undermined by digital abundance and social networking, social relations and the unique ‘live’ performance are all that's left to sell. Mass market music increasingly resembles relational art with its dream of waking the ‘zombies’ of consumer culture, but are the citizens of Web 2.0 society born again or undead? Paul Helliwell shuffles through the mall
Will the ‘hive mind’ of social networking replace classical forms of knowledge production? Comparing Web 2.0 and small-scale, self-run cultural platforms, Olga Goriunova maintains the possibility for originality in both contexts, while identifying how the same old commercial and institutional pressures still operate
Angela Mitropoulos takes a critical look at the dissident pragmatism of the startup and the ‘alternative’ economies of the digital commons
The hype surrounding Web 2.0’s ability to democratise content production obscures its centralisation of ownership and the means of sharing. Dmytri Kleiner & Brian Wyrick expose Web 2.0 as a venture capitalist’s paradise where investors pocket the value produced by unpaid users, ride on the technical innovations of the free software movement and kill off the decentralising potential of peer-to-peer production
Dmytri Kleiner strikes again! This time responding to comments by
Michel Bauwens regarding this previous post, Kleiner spells out in
more detail his views on the compatibility of the existing form of
'commons-based peer production' with really existing capitalism
as well as providing a retort to arguments for a basic-income as the
material plug-in to the 'weightless economy' of information production
circulation.






