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Editorial content |
Submitted by mute on Tuesday, 22 July, 2008 - 02:52
Anne Fifield 'South Korean companies are sending employees on "fake funeral" courses to help prevent suicide. The "well-dying craze" has become an integral part of training at Samsung, which has built its own fake funeral centre' subject: Business | Dada | Financial Crisis | Futurist | Pathopraxis | Performance | Strategy
Editorial content |
Submitted by mute on Tuesday, 13 May, 2008 - 14:56
David Burrows and Simon Sullivan/Plastique Fantastique The comic 'Staabucks Fukkee is Your Enemy' ran between articles by John Cunningham and Stewart Martin in the print edition of Mute Vol 2 #8
subject: Art | Performance | Theory & Philosophy
Editorial content |
Submitted by unterschreber on Thursday, 10 April, 2008 - 19:19
Steven Morris (presumably not the New Order drummer) Confirmation that 'Stewart Home' is not alone (so to speak) in populating (anti-)social networking sites with pathological quasi-doubles, incubi, revenants or whatever else. Cornwall police claim that schoolchildren have been 'impersonating paedophiles' on MSN and Bebo chatrooms in an evil plot to scare 'rival'[sic] kids. Are these the same chatrooms that the ever-vigilant, Hardworking Families-friendly Guardian recently warned have had their Family Filters hacked to pieces by precocious but somehow still defenceless infants? And how, exactly, doe subject: Education | Identity | Law | Pathopraxis | Performance | Science Fiction | Web 2.0
Editorial content |
Submitted by mute on Wednesday, 6 February, 2008 - 18:36
Simon Yuill If relational aesthetics and open source were always commercial, can the musical score provide a way of thinking through different relationships between creativity and code? The return to improvisation in 'livecoding' draws parallels with experimental practices developed by maverick musicians, programmers and educators from Sun Ra, The Art Ensemble of Chicago and the Scratch Orchestra to Seymour Papert. Simon Yuill argues that these 'di subject: Anarchist | Art | Conceptual | Improv | Music | New Media Art | Performance | Politics | Relational Aesthetics
Editorial content |
Submitted by mute on Tuesday, 4 December, 2007 - 14:52
subject: New Media Art | Performance | Video
Editorial content |
Submitted by mute on Tuesday, 4 December, 2007 - 14:47
subject: New Media Art | Performance | Video
OpenPublishing |
Submitted by unterschreber on Friday, 17 August, 2007 - 21:15
Nathalie Rothschild An all-too-believeable first-hand account from Spiked (http://www.spiked-online.com/index.php?/site/article/3730/) of the heroic Civil Obedience at the pro-Behaviour Modification protest camp outside Heathrow. (Although Spiked's habit of labelling this lot 'Puritans' seems a bit unfair on 17th century Calvinists, given the latter group's social-levelling tendencies, hatred of superstition and insistence on independent thought.) There are particularly telling moments when protest spokesman John Jordan says the muddy austerity of the camp exemplifies the kind of 'simple life' subject: Activism | Climate Change | Environment | Festivals | Games | Marketing | Media | NGO | Performance | Site-Specific | Slums
mariposa
OpenPublishing |
Submitted by mariposa on Friday, 2 March, 2007 - 17:10
subject: Artivism | Conceptual | Dada | Fluxus | Futurist | Institutional Critique | Net Art | New Media Art | Performance | Relational Aesthetics | Site-Specific | Situationist | Socially Engaged | Surrealist
OpenPublishing |
Submitted by Sally Fischer on Thursday, 18 January, 2007 - 10:27
subject: Performance
Editorial content |
Submitted by Josie on Wednesday, 27 September, 2006 - 11:26
Finally, the pundits of Creative Economies and all that malarkey will be forced to confront their own bastard child: SportArt. Despite the eagerness to strip mine 'creativity' and 'leisure' in an effort to stave off economic doom, the consensual hallucination of a Creative Economy on which it rests is turning more psychedelic than value-producing. While erstwhile 'industry leaders' like super-curator Hans Ulrich Obrist subject themselves to marathon public mea culpas (cf. subject: Art | Conceptual | Fictitious Capital | Performance | Situationist | Surrealist | Tactical Media
OpenPublishing |
Submitted by anthony on Wednesday, 11 January, 2006 - 14:50
Rex Mort Sakada Thin Autonomy 19th October 2004, 61-75 Alie Street Between the long stagnant and vital (full of forms of life) trough of commercial road, the self-mythologising skyline of the money mill beyond Aldgate, the Titanic, Totenschiff, death ship: a container ship of spent labour power looms out, for this night welcoming an evening of para-musical hiatus. Some who were present : The heritage devotee dressed in deerstalker and eastern entourage Some thieves
Editorial content |
Submitted by mute on Wednesday, 8 September, 2004 - 23:00
Mute Editor With an eager hoovering up of community memory now a built in part of every self-respecting regeneration project, the exhibition of Stuart Brisley’s pioneering 1970s archival project in the New Town and former mining district of Peterlee is not only timely but inspiring, says Mark Crinson The Peterlee Project, 1976-2004, Vardy Art Gallery, University of Sunderland, 9 March to 2 April subject: Art | Performance | Regeneration
Editorial content |
Submitted by mute on Thursday, 5 February, 2004 - 00:00
Demetra Kotouza The second season of the Whitechapel's performance art retrospective was dedicated to the pedagogical form of the lecture as a medium for art. While some of the performances satirised the artists' function as commodity and carrier of imperialist agendas, the Whitechapel itself was still upholding the enduring 'cult of the artist'. subject: Art | Performance
Editorial content |
Submitted by mute on Wednesday, 21 January, 2004 - 00:00
Josephine Berry 'Compulsive' is a word often used to describe our relationships with computers. Combine the compulsiveness of the computer drug with the hypnotic effects of voices on radio and you've got Torkradio. Frustrated by their experience of making 30 second 'audio blipverts' for a local radio station, Chris Dorley Brown and Bob Jarok of Cambridge's music and arts venue The Junction decided to make something more "marathon like" - an extended 72 hour audio experiment involving over 20 visual and performance artists.
Editorial content |
Submitted by mute on Wednesday, 21 January, 2004 - 00:00
Pauline van Mourik Broekman Get lucid in Hull subject: Art | Festivals | Music | Performance
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