Is a rabble run media becoming a possibility? And are artists in the vanguard or blocking the way? The AV media arts festival in the North-East of England last month suggested the ambivalence of artistic interventions into state and corporate broadcasting. Report by Anthony Iles and Josephine Berry Slater

This year’s Transmediale festival in Berlin was themed around the conceptual term ‘Conspire’. Here, Marina Vishmidt reviews its multiple presentations of ‘good’ and ‘bad’ collaborative truth production, and queries some suspicious absences

The BBC's Live Sites 2012 program is set to roll out 60 big screens in urban centres around the UK by 2012. Considering the vague agenda currently guiding their use, Richard Wright asks whether these big screens will ever open themselves to creative use or simply remain giant TVs controlled by giants
 

If relational aesthetics and open source were always commercial, can the musical score provide a way of thinking through different relationships between creativity and code? The return to improvisation in 'livecoding' draws parallels with experimental practices developed by maverick musicians, programmers and educators from Sun Ra, The Art Ensemble of Chicago and the Scratch Orchestra to Seymour Papert. Simon Yuill argues that these 'distributive practices' are worth extending today*