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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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Proud to be Flesh: A Mute Magazine Anthology of Cultural Politics after the Net Editorial content | PTBF
Submitted by admin on Monday, 23 November, 2009 - 22:03

Available in hardback and softback

624 pages, 78 colour illustrations, 229mm x 152mm

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Reformist’ confusion stunts opposition protests News & Analysis
Submitted by yassamine on Thursday, 18 February, 2010 - 20:02
Yassamine Mather

Last week’s official celebrations of the February 1979 uprising that brought down the shah’s regime in Iran stood in total contrast to the events of 31 years ago.

subject: Marxist

Apocalypse, Tendency, Crisis Editorial content | Articles
Submitted by mute on Wednesday, 3 February, 2010 - 11:26
Benjamin Noys

Crises tend to generate apocalyptic dreams and nightmares. Through a reappraisal of 20th century anti-capitalist thought, Benjamin Noys urges us to critically re-think how such an apocalyptic tone operates within radical analyses of the current crisis

 


Nostalghia unto Death News & Analysis
Submitted by Nathan_Coombs on Saturday, 26 September, 2009 - 12:20
Nathan Coombs

The famous Russian film director Andrei Tarkovsky once described the experience of exile for a Russian as “nostalghia” – he insisted that the word not be translated into proper English, but rather retain the Italian translation of the Russian word "??????????." For Tarkovsky, who evinced a peculiar brand of medievalist Russian nationalism throughout his work, a Russian leaving their homeland would experience a form of spiritual and physical death; and, indeed, the central character, the semi-autobiographical poet, Andrei Gorchakov, does actually die at the end of his film Nostalghia.


Das Kapital to be Transformed into Chinese Musical News & Analysis
Submitted by fahima.haque on Thursday, 19 March, 2009 - 13:19
Shanghaiist and The Guardian

Perhaps a bit of fancy footwork and a catchy show tune is the key to introducing a new generation to Karl Marx’s Das Kapital. At least that’s what He Nian, director of the upcoming musical, is anticipating for the Shanghai theatregoers. The play which is on schedule to open next year, is meant to serve as a kind of ‘edutainment’ providing the audience with amusement but also an intellectually sound interpretation of Marx’s work. Shanghaiist and The Guardian report more extensively:


The Enigma of Capital - mp3 recording of a lecture by David Harvey News & Analysis
Submitted by finn on Tuesday, 18 November, 2008 - 19:13

The Enigma of Capital

http://davidharvey.org/2008/11/the-enigma-of-capital/

A lecture by Professor David Harvey
City University of New York Graduate Center
November 14, 2008

David Harvey talks about Neoliberalism, class power and how capitalism is sustained.


Karl Marx: did he get it all right? OpenPublishing | News & Analysis
Submitted by mute on Wednesday, 22 October, 2008 - 21:49
Ex stalinists, trotskyists et al

Hey kids, Marx is back, and this time he's... being completely misrepresented again. The only way to comment on this farcical repetition of the oft rehearsed tragedy is with satire, so here's my attempt to sum up the most common misrepresentations in circulation (don't worry its not in 3 vols):


Orientalism Inverted: Resistance in Hindu Nation Editorial content | Articles
Submitted by mute on Wednesday, 24 September, 2008 - 14:40
Neil Gray


In the second of a two-part analysis of neoliberalism Indian style, Neil Gray looks at the economic impact of policies legitimat


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New Labour orthodoxy maintains, in line with its predecessor, that public private partnerships are the only way forward economically. Transport, health and education have been the most controversial new enterprise zones, but is the cultural sector's restructuring any less absolute?

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