Introducing – Pil and Galia Kollectiv, one sixth of Mute's ensemble music column covering sonic adventures across genres and time. Email: info AT kollectiv.co.uk
No Room to Move: Radical Art and the Regenerate City A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes. By Josephine Berry Slater and Anthony Iles
Submitted by mute on Tuesday, 15 December, 2009 - 13:42
Michael Goddard
With creativity and desire hijacked so effectively by work, spectacle and cyberspace what, asks Franco ‘Bifo' Berardi – across three books published in English this year – has become of autonomy today?
Submitted by mute on Wednesday, 11 November, 2009 - 14:10
Stewart Martin
Stewart Martin reviews Meaning Liam Gillick, the catalogue that isn't a catalogue, inspired by its namesake's oeuvre, whose interest in the convergence of post-Fordist production and relational aesthetics isn't political
Submitted by mute on Thursday, 9 October, 2008 - 16:50
Nina Power
Paolo Virno’s latest book contends that the question of human nature – good or evil? – is suddenly topical, thanks to ‘immaterial labour’. But, if true, how useful is this insight?, asks Nina Power
Submitted by mute on Friday, 7 March, 2008 - 15:38
Alberto Duman
The problem with critiques of curatorship is that they usually end up reinforcing the central importance of the curator. Alberto Duman contemplates a recent addition to the field and suggests ways to break the cycle of self-affirmation
Submitted by mute on Thursday, 21 February, 2008 - 11:41
Stewart Martin
Post-Fordism’s appetite for self-directed activity is bringing about a crisis in progressive education. No longer perceived as threatening, a work force trained to think for itself has become highly desirable. So what should an emancipatory education entail today?, asks Stewart Martin
Submitted by mute on Tuesday, 5 February, 2008 - 16:56
John Cunningham
January's Art and Immaterial Labour conference at the Tate brought together some famous names from post-Autonomia to discuss conjunctions between the dematerialisation of art and immaterialisation of labour. John Cunningham reports
Culture Clubs -
By Anthony Davies and Simon Ford
Sept 2000
New Labour orthodoxy maintains, in line with its predecessor, that public private partnerships are the only way forward economically. Transport, health and education have been the most controversial new enterprise zones, but is the cultural sector's restructuring any less absolute?