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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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Brutalist Soap Editorial content | Articles
Submitted by mute on Tuesday, 9 December, 2008 - 17:37
Kate Rich

What lies beyond the failed utopias of the modernist welfare state and the free market? Gail Pickering's recent film/performance, despite its strictly internal focus on life inside a Brutalist housing estate, opens up scope for speculation. Review by Kate Rich


The Political Immunity of Discourse Editorial content | Magazine
Submitted by mute on Friday, 28 November, 2008 - 11:12
Erik Empson

The English translation of Roberto Esposito’s Bios appears to be an important contribution to the critical analysis of a politics of life, but can the book’s claim to ‘revitalise’ politics really be thought from within the exclusive bounds of academic philosophy? Erik Empson reviews

 


Any Other But Our Selves Editorial content | Magazine
Submitted by mute on Thursday, 25 September, 2008 - 11:17
J.J. Charlesworth

Contemporary curators are loving the alien, the sacred and the cultic. But far from challenging contemporary social mores, this Other-worship is just an orthodox postmodern denigration of human agency, argues J.J. Charlesworth

 


Burdened by the Absence of the Billions? Editorial content | Articles
Submitted by mute on Thursday, 18 September, 2008 - 10:40
Howard Slater

Marx’s concept of ‘species being’ is for some a way of re-connecting with fertile currents in the communist left. Howard Slater explores Frére Dupont’s recent book Species Being and Other Stories as a vehicle of exodus from left orthodoxies

 

But this negation carries within it a yes which is greater than itself

Octavio Paz

 


Staabucks Fukkee six Editorial content |
Submitted by mute on Tuesday, 13 May, 2008 - 14:26
Staabucks Fukkee six

Staabucks Fukkee by Plastique Fantastique

subject: Art | Identity

Pupils posing as paedophiles in cyber-bullying, police warn Editorial content | News & Analysis
Submitted by unterschreber on Thursday, 10 April, 2008 - 19:19
Steven Morris (presumably not the New Order drummer)

Confirmation that 'Stewart Home' is not alone (so to speak) in populating (anti-)social networking sites with pathological quasi-doubles, incubi, revenants or whatever else.  Cornwall police claim that schoolchildren have been 'impersonating paedophiles' on MSN and Bebo chatrooms in an evil plot to scare 'rival'[sic] kids.  Are these the same chatrooms that the ever-vigilant, Hardworking Families-friendly Guardian recently warned have had their Family Filters hacked to pieces by precocious but somehow still defenceless infants?  And how, exactly, doe


Outsourcing: lie of the land OpenPublishing | News & Analysis
Submitted by unterschreber on Monday, 24 March, 2008 - 02:53
Private Eye (In the Back section)

From Private Eye, a brief update on the lie detector system soon to be used across the UK on suspected 'benefit thieves'*, i.e. all claimants.  The system comes from Mossad, but what's really alarming is that it is administered by scorched-earth PFI war machine Capita.
*NB. Readers with no sympathy for 'benefit thieves' have come to the wrong website.

Outsourcing
LIE OF THE LAND

Lie–detector technology developed by Mossad for interrogating suspeted Palestinian terrorists is being used in British Jobcentres.


Mute Vol 2 #7 cover Editorial content |
Submitted by mute on Tuesday, 26 February, 2008 - 16:50
Mute Vol 2 #7 cover

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By Anthony Davies and Simon Ford
Sept 2000

New Labour orthodoxy maintains, in line with its predecessor, that public private partnerships are the only way forward economically. Transport, health and education have been the most controversial new enterprise zones, but is the cultural sector's restructuring any less absolute?

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