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Editorial content |
Submitted by mute on Thursday, 25 February, 2010 - 11:18
Evan Calder Williams
Dusting off the tedium and ash deposited by Hollywood's recent spate of catastrophe movies, Evan Calder Williams takes aim at their world-affirming pessimism and calls for some real apocalypse
Editorial content |
Submitted by mute on Wednesday, 3 February, 2010 - 11:26
Benjamin Noys
Crises tend to generate apocalyptic dreams and nightmares. Through a reappraisal of 20th century anti-capitalist thought, Benjamin Noys urges us to critically re-think how such an apocalyptic tone operates within radical analyses of the current crisis
subject: Communism | Deleuzo-Guattarian | Marxist | Postmodernist
Avatar, or film as the third dimension of financialisation
Submitted by Ben on Thursday, 31 December, 2009 - 19:51
Ben Some thoughts on James Cameron's Avatar, film, and financialisation. A familiarity with the 3D movie and the works of Jean Baudrillard may help render this more intelligible. subject: Communism | Film | Finance & Trade | New Media | Quantum Physics
Editorial content |
Submitted by mute on Tuesday, 29 September, 2009 - 14:22
John Cunningham
In the wake of the organised left and the demise of working class self-identity, communisation offers a paradoxical means of superseding capitalism in the here and now whilst abandoning orthodox theories of revoluti subject: AntiCapitalist | Communism | Mute Vol 2 #14 | Precarity | Situationist
Nostalghia unto Death
Submitted by Nathan_Coombs on Saturday, 26 September, 2009 - 12:20
Nathan Coombs The famous Russian film director Andrei Tarkovsky once described the experience of exile for a Russian as “nostalghia” – he insisted that the word not be translated into proper English, but rather retain the Italian translation of the Russian word "??????????." For Tarkovsky, who evinced a peculiar brand of medievalist Russian nationalism throughout his work, a Russian leaving their homeland would experience a form of spiritual and physical death; and, indeed, the central character, the semi-autobiographical poet, Andrei Gorchakov, does actually die at the end of his film Nostalghia. subject: Activism | Anarchist | AntiCapitalist | Art | Blogging | Books | Communism | Film | Globalisation | History | Immigration | Labour Struggles | Marxist | Nationalism | Politics
Editorial content |
Submitted by mute on Wednesday, 23 September, 2009 - 13:11
Stefan Szczelkun Heavily influenced by the Black Wave or dissident Yugoslav cinema of her childhood, artist Nada Prlja considers its unique balancing act between iconoclasm and idealism, individualism and communism to be exemplary. In an interview with Stefan Szczelkun, Prlja talks about the cultural context of communist Yugoslavia and its mutation into a consumer culture - a shift that her artwork pivots on
subject: Communism | Europe | Film | Mute Vol 2 #13
Commu-tunes: Music by Mail
Submitted by CJ.Lotz on Thursday, 14 May, 2009 - 17:15
CJ Lotz Music swapping didn’t used to be as easy as a log on. Technology has made music attainment as simple as breathing, but not every nation’s rise to wires has followed the same path. Communist rule stifled the distribution of albums in Poland in the 60s and 70s, so teenagers made popular their own form of musical exchange: the Pocztowka Dzwiekowa, or Sound Postcard.
subject: Communism | Culture Studies | Europe | Festivals | Music
Editorial content |
Submitted by mute on Wednesday, 8 April, 2009 - 15:36
Paul Graham A recent conference at Birkbeck gathered together philosophers to discuss the past, present and, more importantly, the possible future of communism. Paul Graham takes a bird's eye view of proceedings
subject: Communism | Conferences | Continental
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