In the 1960s and '70s musicians devised innovative forms of notation and protocol to liberate themselves from aesthetic and social conventions. Today's digital devotees of code based production and improvisation are continuing this tradition, argues Simon Yuill*

If relational aesthetics and open source were always commercial, can the musical score provide a way of thinking through different relationships between creativity and code? The return to improvisation in 'livecoding' draws parallels with experimental practices developed by maverick musicians, programmers and educators from Sun Ra, The Art Ensemble of Chicago and the Scratch Orchestra to Seymour Papert. Simon Yuill argues that these 'di

What is radical research? Does it emanate from grass roots social movements, the universities, both, or neither? Melancholic Troglodytes review AK Press’s recent collection of ‘militant research’ with an illustrated tour following the book's line of enquiry from the ‘ivory tower to the barricades’

Professor,
take off your bicycle glasses!
I myself will expound
those times
and myself.

This Anarchist Federation analysis of the National (UK) ID Database, parts of which are already up and running with no need for cards, needs to be read as widely as possible.  A terrifying account of how much more than abstract 'privacy' is at stake, and FOR WHOM.