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Editorial content |
Submitted by mute on Wednesday, 28 May, 2008 - 18:12
John Wollaston
The recent London performance of Luigi Nono's composition for orchestra and live-processing, Prometeo, was presented as an apotheosis of the Italian composer's work. John Wollaston essays a paraphrase of this complex 'super-capsule' of the untransmittable
Editorial content |
Submitted by admin on Friday, 23 May, 2008 - 16:56
Simon Yuill In the 1960s and '70s musicians devised innovative forms of notation and protocol to liberate themselves from aesthetic and social conventions. Today's digital devotees of code based production and improvisation are continuing this tradition, argues Simon Yuill* subject: Anarchist | Art | Conceptual | Improv | Music | New Media Art | Politics | Relational Aesthetics
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Submitted by mute on Wednesday, 23 April, 2008 - 15:00
subject: Art | Avant-Garde | Music
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Submitted by mute on Wednesday, 12 March, 2008 - 15:07
London Musicians' Collective Twenty Five Years from Scratch, ed. Michael Parsons, London: London Musician's Collective, 1994.
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Submitted by mute on Thursday, 7 February, 2008 - 02:02
subject: Art | Avant-Garde | Music
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Submitted by mute on Thursday, 7 February, 2008 - 01:57
subject: Conceptual | Improv | Music
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Submitted by mute on Thursday, 7 February, 2008 - 01:40
subject: Music | New Media Art
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Submitted by mute on Thursday, 7 February, 2008 - 01:32
subject:
Science | Electronica | Music
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Submitted by mute on Wednesday, 6 February, 2008 - 18:36
Simon Yuill If relational aesthetics and open source were always commercial, can the musical score provide a way of thinking through different relationships between creativity and code? The return to improvisation in 'livecoding' draws parallels with experimental practices developed by maverick musicians, programmers and educators from Sun Ra, The Art Ensemble of Chicago and the Scratch Orchestra to Seymour Papert. Simon Yuill argues that these 'di subject: Anarchist | Art | Conceptual | Improv | Music | New Media Art | Performance | Politics | Relational Aesthetics
Editorial content |
Submitted by mute on Wednesday, 17 October, 2007 - 15:05
subject: Architecture | Music
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