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Editorial content |
Submitted by mute on Thursday, 25 February, 2010 - 11:18
Evan Calder Williams
Dusting off the tedium and ash deposited by Hollywood's recent spate of catastrophe movies, Evan Calder Williams takes aim at their world-affirming pessimism and calls for some real apocalypse
Editorial content |
Submitted by mute on Tuesday, 26 January, 2010 - 15:03
Peter Linebaugh Peter Linebaugh, author of The London Hanged, was recently challenged by film-makers Anja Kirschner and David Panos over his ‘romanticised' account of the development of class consciousness in the first phase of finance ca subject: Film
Avatar, or film as the third dimension of financialisation
Submitted by Ben on Thursday, 31 December, 2009 - 19:51
Ben Some thoughts on James Cameron's Avatar, film, and financialisation. A familiarity with the 3D movie and the works of Jean Baudrillard may help render this more intelligible. subject: Communism | Film | Finance & Trade | New Media | Quantum Physics
Editorial content |
Submitted by mute on Tuesday, 8 December, 2009 - 09:53
Celluloid Liberation Front
Untangling a chain of cinematic signifiers and taking Amos Vogel's book as a guide, the Celluloid Liberation Front subverts the Film as a Subversive Art exhibit at Zoo 2009
In Times of Crisis: Act!
Submitted by sgbohm on Monday, 9 November, 2009 - 13:17
Steffen Böhm
It has been 20 years since the fall of the Berlin Wall. We are ‘celebrating' this anniversary at a time when global capitalism and liberal democracy, the so-called winners of the Cold War struggle between East and West, find themselves in one of the deepest economic and political crises since the Wall Street crash in 1929 and the global turmoil that followed. subject: Environment | Film | Financial Crisis | History | Politics | Psychology | Society | Theory & Philosophy | War on Terror
Editorial content |
Submitted by mute on Tuesday, 6 October, 2009 - 15:12
Iain Boal With Vera Chytilová's satirical feminist romp Daisies released on DVD this year, Iain Boal takes the opportunity to revisit the brief cultural explosion that was the Czech New Wave and one of its most original and irreverent contributions
Nostalghia unto Death
Submitted by Nathan_Coombs on Saturday, 26 September, 2009 - 12:20
Nathan Coombs The famous Russian film director Andrei Tarkovsky once described the experience of exile for a Russian as “nostalghia” – he insisted that the word not be translated into proper English, but rather retain the Italian translation of the Russian word "??????????." For Tarkovsky, who evinced a peculiar brand of medievalist Russian nationalism throughout his work, a Russian leaving their homeland would experience a form of spiritual and physical death; and, indeed, the central character, the semi-autobiographical poet, Andrei Gorchakov, does actually die at the end of his film Nostalghia. subject: Activism | Anarchist | AntiCapitalist | Art | Blogging | Books | Communism | Film | Globalisation | History | Immigration | Labour Struggles | Marxist | Nationalism | Politics
Editorial content |
Submitted by mute on Wednesday, 23 September, 2009 - 13:11
Stefan Szczelkun Heavily influenced by the Black Wave or dissident Yugoslav cinema of her childhood, artist Nada Prlja considers its unique balancing act between iconoclasm and idealism, individualism and communism to be exemplary. In an interview with Stefan Szczelkun, Prlja talks about the cultural context of communist Yugoslavia and its mutation into a consumer culture - a shift that her artwork pivots on
subject: Communism | Europe | Film | Mute Vol 2 #13
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