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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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An End Without End: Catastrophe Cinema in the Age of Crisis Editorial content | Articles
Submitted by mute on Thursday, 25 February, 2010 - 11:18
Evan Calder Williams

Dusting off the tedium and ash deposited by Hollywood's recent spate of catastrophe movies, Evan Calder Williams takes aim at their world-affirming pessimism and calls for some real apocalypse

 

 

subject: Communism | Film

Jack’s Back! In the Movies at Last! Editorial content | Articles
Submitted by mute on Tuesday, 26 January, 2010 - 15:03
Peter Linebaugh

Peter Linebaugh, author of The London Hanged, was recently challenged by film-makers Anja Kirschner and David Panos over his ‘romanticised' account of the development of class consciousness in the first phase of finance ca

subject: Film

Avatar, or film as the third dimension of financialisation News & Analysis
Submitted by Ben on Thursday, 31 December, 2009 - 19:51
Ben

Some thoughts on James Cameron's Avatar, film, and financialisation.

A familiarity with the 3D movie and the works of Jean Baudrillard may help render this more intelligible.


Film as a Subservient Art Editorial content | Articles
Submitted by mute on Tuesday, 8 December, 2009 - 09:53
Celluloid Liberation Front

Untangling a chain of cinematic signifiers and taking Amos Vogel's book as a guide, the Celluloid Liberation Front subverts the Film as a Subversive Art exhibit at Zoo 2009

 

 

This film is dedicated to the gallant people of Afghanistan

 - Final credits of Rambo III

 

subject: Film | Language

In Times of Crisis: Act! News & Analysis
Submitted by sgbohm on Monday, 9 November, 2009 - 13:17
Steffen Böhm

It has been 20 years since the fall of the Berlin Wall. We are ‘celebrating' this anniversary at a time when global capitalism and liberal democracy, the so-called winners of the Cold War struggle between East and West, find themselves in one of the deepest economic and political crises since the Wall Street crash in 1929 and the global turmoil that followed.


They May Crush the Flowers... Editorial content | Articles
Submitted by mute on Tuesday, 6 October, 2009 - 15:12
Iain Boal

With Vera Chytilová's satirical feminist romp Daisies released on DVD this year, Iain Boal takes the opportunity to revisit the brief cultural explosion that was the Czech New Wave and one of its most original and irreverent contributions

 

 

The production of souls is more important than the production of tanks ... And therefore I raise my glass to you, cultural workers, the engineers of the human soul.

- Joseph Stalin, speaking at the home of Maxim Gorky, 26 October 1932

subject: Feminist | Film

Nostalghia unto Death News & Analysis
Submitted by Nathan_Coombs on Saturday, 26 September, 2009 - 12:20
Nathan Coombs

The famous Russian film director Andrei Tarkovsky once described the experience of exile for a Russian as “nostalghia” – he insisted that the word not be translated into proper English, but rather retain the Italian translation of the Russian word "??????????." For Tarkovsky, who evinced a peculiar brand of medievalist Russian nationalism throughout his work, a Russian leaving their homeland would experience a form of spiritual and physical death; and, indeed, the central character, the semi-autobiographical poet, Andrei Gorchakov, does actually die at the end of his film Nostalghia.


The Return of the Red Bourgeoisie – An Interview with Nada Prlja Editorial content | Magazine
Submitted by mute on Wednesday, 23 September, 2009 - 13:11
Stefan Szczelkun

Heavily influenced by the Black Wave or dissident Yugoslav cinema of her childhood, artist Nada Prlja considers its unique balancing act between iconoclasm and idealism, individualism and communism to be exemplary. In an interview with Stefan Szczelkun, Prlja talks about the cultural context of communist Yugoslavia and its mutation into a consumer culture - a shift that her artwork pivots on

 


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Recomposing the University -
By Tiziana Terranova & Marc Bousquet
July 2004

Far removed from the clichéd image of the ‘ivory tower’, today’s universities have been opened to the harsh realities of neoliberal economics. In the name of democratisation and equality, the university has become a cross between a supermarket and a factory whose consumers are also its hyper-exploited labour force. But the conditions of mass intellectuality also create new potentials and alliances

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