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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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A season in (the vestibule of) hell News & Analysis
Submitted by matthew hyland on Thursday, 18 March, 2010 - 00:57
neinsager

Update on local abominations, written for Wildcat (Germany): where recent events in other countries are also cut to the quick.

A season in (the vestibule of) hell

subject: History

World War As Class War Editorial content | Articles
Submitted by mute on Wednesday, 20 January, 2010 - 14:40
James Heartfield

Looking through the mists of obligatory sentimentalism that enveloped the 70th aniversary of the outbreak of WWII, James Heartfield remembers the pitiless subordination of people to production on all sides of that crisis

 

subject: Class | History

In Times of Crisis: Act! News & Analysis
Submitted by sgbohm on Monday, 9 November, 2009 - 13:17
Steffen Böhm

It has been 20 years since the fall of the Berlin Wall. We are ‘celebrating' this anniversary at a time when global capitalism and liberal democracy, the so-called winners of the Cold War struggle between East and West, find themselves in one of the deepest economic and political crises since the Wall Street crash in 1929 and the global turmoil that followed.


Nostalghia unto Death News & Analysis
Submitted by Nathan_Coombs on Saturday, 26 September, 2009 - 12:20
Nathan Coombs

The famous Russian film director Andrei Tarkovsky once described the experience of exile for a Russian as “nostalghia” – he insisted that the word not be translated into proper English, but rather retain the Italian translation of the Russian word "??????????." For Tarkovsky, who evinced a peculiar brand of medievalist Russian nationalism throughout his work, a Russian leaving their homeland would experience a form of spiritual and physical death; and, indeed, the central character, the semi-autobiographical poet, Andrei Gorchakov, does actually die at the end of his film Nostalghia.


Notes on The Last Days of Jack Sheppard: Capital Crimes and Paper Claims Editorial content | Magazine
Submitted by mute on Wednesday, 12 August, 2009 - 17:36
Benedict Seymour

Extrapolating from his talk on Anja Kirschner and David Panos’ recent film about 18th century folk legend Jack Sheppard, Benedict Seymour traces the intimate relationship between death, representation, fiction and speculation. Then, as now, the attempt to escape from capitalism’s calculus threatens to collapse into another moment of capture

 


Dialectic of Anti-Enlightenment News & Analysis
Submitted by midnightbell on Sunday, 17 May, 2009 - 12:42
Neil Davenport

 Books reviewed in this essay are:   

Dialectic of Enlightenment by Theodor Adorno & Max Horkheimer (1944)

subject: History

Hearing the Hecklers: the Russian Revolution Revisited Editorial content | Articles
Submitted by mute on Wednesday, 25 March, 2009 - 17:22
William Dixon

In his recent book Russian Revolution in Retreat, 1920-24, Simon Pirani scours the evidence to determine whether Stalinism was always a potential of Bolshevism, or if events precipitated the vanguard's split from the revolutionary masses. Review by William Dixon

 

subject: Communism | History

Debt: The First Five Thousand Years Editorial content | Articles
Submitted by mute on Tuesday, 10 February, 2009 - 17:08
David Graeber

Anthropologist David Graeber argues that it is only with a general historical understanding of debt and its relationship to violence that we can begin to appreciate our emerging epoch. Here he begins to fill in our historical knowledge gap

 


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Recomposing the University -
By Tiziana Terranova & Marc Bousquet
July 2004

Far removed from the clichéd image of the ‘ivory tower’, today’s universities have been opened to the harsh realities of neoliberal economics. In the name of democratisation and equality, the university has become a cross between a supermarket and a factory whose consumers are also its hyper-exploited labour force. But the conditions of mass intellectuality also create new potentials and alliances

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