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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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Pirate Bay walks the plank News & Analysis
Submitted by mute on Thursday, 2 July, 2009 - 15:27
Rasmus Fleischer

The Pirate Bay wears its pirate eye badge with pride. Launched in 2003, it's a Swedish website that catalogs and tracks BitTorrent files. On 30 June 2009, an advertising company, Global Gaming Factory X AB announced plans to purchase the website for $7.8 million. Here, Rasmus Fleischer reacts and provides context for the changing of hands.

Users of The Pirate Bay are raging.


Trouble on the High Seas News & Analysis
Submitted by Mavis on Sunday, 21 June, 2009 - 15:10
Johan Söderberg

analysis of the anti-politics of the Pirate Party. reposted from nettime.

With 215,000 votes in the European election from the Swedish precinct, the Internet pirates have winds in their sailes. Miltos asked in a previos posting on this list if similar parties will now spawn in other EU electorates. In the ligth of his question, it can be interesting to note that the two major events which angered people in Sweden to point that they casted their votes for the Pirate Party (PP), had only scantly to do with EU intellectual property directives.


Free Software Editorial content | Public Library
Submitted by mute on Tuesday, 12 February, 2008 - 15:31
Toni Prug

                               Free Software
                         Toni Prug, toni@irational.org
                                August 13, 2007


Copyfarleft and Copyjustright Editorial content | Articles
Submitted by mute on Wednesday, 18 July, 2007 - 13:56
Dmytri Kleiner

Challenges to traditional copyright resulting from peer-to-peer applications, free software, filesharing and appropriation art have caused a wide ranging debate on the future of copyright. Dmytri Kleiner brings existing critiques of material property from the left to bear upon the realm of copyleft artistic production and asks how, within the existing copyright regime, can artists earn a living?

 


Mute Vol 2 #4 - Web 2.0 – Man's best friendster? Editorial content | Vol II
Submitted by mute on Wednesday, 13 December, 2006 - 17:14

Web 2.0’s democratisation of media produces a wealth of new perspectives. Some of those formerly excluded from the public sphere have the chance to make their voices heard. But this wave of participation is as important for business as it is for the newly included. Mute's Web 2.0 special uncovers the work in social networking and, behind the 'dotcommunist' spin, a centralisation of the means of sharing.


ACE joins the social networking revolution OpenPublishing | News & Analysis
Submitted by pauline on Wednesday, 22 November, 2006 - 14:09
Pauline van Mourik Broekman

http://www.artscouncil.org.uk/artsdebate/

The Arts Council has got a blog on... As part of the 'first ever public value enquiry' into the arts, ACE is creating an elaborate set of feedback mechanisms, one of which is a website discussion currently well underway at Artscouncil.org.uk.


Knowledge Commons Redux OpenPublishing | POD Park
Submitted by anthony on Saturday, 21 January, 2006 - 20:24

Bumper version of Knowledge Commons material from the Mute Archive

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Recomposing the University -
By Tiziana Terranova & Marc Bousquet
July 2004

Far removed from the clichéd image of the ‘ivory tower’, today’s universities have been opened to the harsh realities of neoliberal economics. In the name of democratisation and equality, the university has become a cross between a supermarket and a factory whose consumers are also its hyper-exploited labour force. But the conditions of mass intellectuality also create new potentials and alliances

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