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When death is a reminder to live (should be titled: Preemptive death) Editorial content | News & Analysis
Submitted by Ben on Tuesday, 22 July, 2008 - 02:52
Anne Fifield

'South Korean companies are sending employees on "fake funeral" courses to help prevent suicide. The "well-dying craze" has become an integral part of training at Samsung, which has built its own fake funeral centre'


Staabucks Fukkee is Your Enemy Editorial content | Articles
Submitted by mute on Tuesday, 13 May, 2008 - 14:56
David Burrows and Simon Sullivan/Plastique Fantastique

The comic 'Staabucks Fukkee is Your Enemy' ran between articles by John Cunningham and Stewart Martin in the print edition of Mute Vol 2 #8

 


Pupils posing as paedophiles in cyber-bullying, police warn Editorial content | News & Analysis
Submitted by unterschreber on Thursday, 10 April, 2008 - 19:19
Steven Morris (presumably not the New Order drummer)

Confirmation that 'Stewart Home' is not alone (so to speak) in populating (anti-)social networking sites with pathological quasi-doubles, incubi, revenants or whatever else.  Cornwall police claim that schoolchildren have been 'impersonating paedophiles' on MSN and Bebo chatrooms in an evil plot to scare 'rival'[sic] kids.  Are these the same chatrooms that the ever-vigilant, Hardworking Families-friendly Guardian recently warned have had their Family Filters hacked to pieces by precocious but somehow still defenceless infants?  And how, exactly, doe


All Problems of Notation Will be Solved by the Masses Editorial content | Articles
Submitted by mute on Wednesday, 6 February, 2008 - 18:36
Simon Yuill

If relational aesthetics and open source were always commercial, can the musical score provide a way of thinking through different relationships between creativity and code? The return to improvisation in 'livecoding' draws parallels with experimental practices developed by maverick musicians, programmers and educators from Sun Ra, The Art Ensemble of Chicago and the Scratch Orchestra to Seymour Papert. Simon Yuill argues that these 'di


'DIY Ballroom/Live' by Susan Pui San Lok_3 Editorial content |
Submitted by mute on Tuesday, 4 December, 2007 - 14:52
'DIY Ballroom/Live' by Susan Pui San Lok_3

Susan Pui San Lok's 'DIY Ballroom/Live' at Manchester Urban Screens October 2007


'DIY Ballroom/Live' by Susan Pui San Lok_2 Editorial content |
Submitted by mute on Tuesday, 4 December, 2007 - 14:47
'DIY Ballroom/Live' by Susan Pui San Lok_2

Susan Pui San Lok's 'DIY Ballroom/Live' at Manchester Urban Screens October 2007


Heathrow protest: not-so-happy campers OpenPublishing | News & Analysis
Submitted by unterschreber on Friday, 17 August, 2007 - 21:15
Nathalie Rothschild

An all-too-believeable first-hand account from Spiked (http://www.spiked-online.com/index.php?/site/article/3730/) of the heroic Civil Obedience at the pro-Behaviour Modification protest camp outside Heathrow.  (Although Spiked's habit of labelling this lot 'Puritans' seems a bit unfair on 17th century Calvinists, given the latter group's social-levelling tendencies, hatred of superstition and insistence on independent thought.)  There are particularly telling moments when protest spokesman John Jordan says the muddy austerity of the camp exemplifies the kind of 'simple life'


LEO ASEMOTA | AFTER WALTER OpenPublishing |
Submitted by Sally Fischer on Thursday, 18 January, 2007 - 10:27
LEO ASEMOTA | AFTER WALTER
subject: Performance

The 4th International Symposium on Emerging Techniques: SportArt Editorial content | News & Analysis
Submitted by Josie on Wednesday, 27 September, 2006 - 11:26

Finally, the pundits of Creative Economies and all that malarkey will be forced to confront their own bastard child: SportArt. Despite the eagerness to strip mine 'creativity' and 'leisure' in an effort to stave off economic doom, the consensual hallucination of a Creative Economy on which it rests is turning more psychedelic than value-producing. While erstwhile 'industry leaders' like super-curator Hans Ulrich Obrist subject themselves to marathon public mea culpas (cf.


Sakada Play Titanic/Deathship OpenPublishing | Public Library
Submitted by anthony on Wednesday, 11 January, 2006 - 14:50
Rex Mort

Sakada Thin Autonomy

19th October 2004, 61-75 Alie Street

Between the long stagnant and vital (full of forms of life) trough of commercial road, the self-mythologising skyline of the money mill beyond Aldgate, the Titanic, Totenschiff, death ship: a container ship of spent labour power looms out, for this night welcoming an evening of para-musical hiatus.

Some who were present :

The heritage devotee dressed in deerstalker and eastern entourage

Some thieves


The Incidental Collection – Stuart Brisley's Peterlee Project Editorial content | Magazine
Submitted by mute on Wednesday, 8 September, 2004 - 23:00
Mute Editor

With an eager hoovering up of community memory now a built in part of every self-respecting regeneration project, the exhibition of Stuart Brisley’s pioneering 1970s archival project in the New Town and former mining district of Peterlee is not only timely but inspiring, says Mark Crinson

The Peterlee Project, 1976-2004, Vardy Art Gallery, University of Sunderland, 9 March to 2 April


A Short History of Performance: Part II Editorial content | Articles
Submitted by mute on Thursday, 5 February, 2004 - 00:00
Demetra Kotouza

The second season of the Whitechapel's performance art retrospective was dedicated to the pedagogical form of the lecture as a medium for art. While some of the performances satirised the artists' function as commodity and carrier of imperialist agendas, the Whitechapel itself was still upholding the enduring 'cult of the artist'.

subject: Art | Performance

Intercity Radiothon Editorial content | Magazine
Submitted by mute on Wednesday, 21 January, 2004 - 00:00
Josephine Berry

'Compulsive' is a word often used to describe our relationships with computers. Combine the compulsiveness of the computer drug with the hypnotic effects of voices on radio and you've got Torkradio. Frustrated by their experience of making 30 second 'audio blipverts' for a local radio station, Chris Dorley Brown and Bob Jarok of Cambridge's music and arts venue The Junction decided to make something more "marathon like" - an extended 72 hour audio experiment involving over 20 visual and performance artists.


The Root of All Insanity? Editorial content | Magazine
Submitted by mute on Wednesday, 21 January, 2004 - 00:00
Pauline van Mourik Broekman

Get lucid in Hull

subject: Art | Festivals | Music | Performance

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