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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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It's Over (and Over) News & Analysis
Submitted by Ben on Saturday, 15 August, 2009 - 13:49
Vladimir & Estragon Global Solutions

Here's a summer game called: 'It's Over (and Over)' - aka The Eternal Return or 'If it's so over why do you keep saying it's over?'

If you do still have a job and want to kill some undead time, or if like me you are simply hungOVER, collecting 'Over' headlines is easy and fun .


When death is a reminder to live (should be titled: Preemptive death) Editorial content | News & Analysis
Submitted by Ben on Tuesday, 22 July, 2008 - 02:52
Anne Fifield

'South Korean companies are sending employees on "fake funeral" courses to help prevent suicide. The "well-dying craze" has become an integral part of training at Samsung, which has built its own fake funeral centre'


Irrational Modernism Editorial content | Articles
Submitted by mute on Monday, 26 April, 2004 - 23:00
Esther Leslie

In her recent book, Irrational Modernism, Amelia Jones advances a ‘neurasthenic’ reading of the New York Dada scene, centred on the marginalised figure of the Baroness Elsa von Freytag-Loringhoven whose eccentricities, bizarre dress code and self-ostracising stench embodied and challenged the spirit of Dada.

subject: Art | Books | Dada

A Cavalier History Of Surrealism (by Raoul Vaneigem as 'J-F Dupuis' (translated by Donald Nicholson-Smith)) Editorial content | Magazine
Submitted by mute on Sunday, 9 September, 2001 - 23:00
Stewart Home

After Guy Debord, Raoul Vaneigem is one of the more celebrated situationist theorists. This short sketch of a forerunner to the group of which he was once a leading light, says more about Vaneigem’s theoretical weaknesses than it does about his ostensible subject. Vaneigem usefully stresses the specificity of surrealism, concentrating on its differences to dada.


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Culture Clubs -
By Anthony Davies and Simon Ford
Sept 2000

New Labour orthodoxy maintains, in line with its predecessor, that public private partnerships are the only way forward economically. Transport, health and education have been the most controversial new enterprise zones, but is the cultural sector's restructuring any less absolute?

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