3-5pm, Sunday 3 August 2008. Upstairs at Publish And Be Damned self-publishing fair, Rochelle School, Arnold Circus, London E2. Free, no booking required.

Does private-public funding and management of culture mark the death of institutional and critical autonomy? And is direct censorship an anomaly, the most visible form of a wider constriction of cultural freedom, or the shape of cultural policy to come?

Variant, one of the few magazines covering the grim process of stealth privatisation of Glasgow's cultural assets, appears to have been specifically targeted by one of the very privateers it criticised, and who has banned its distribution at Tramway gallery, in a highly defensive abuse of power:

The BBC's Live Sites 2012 program is set to roll out 60 big screens in urban centres around the UK by 2012. Considering the vague agenda currently guiding their use, Richard Wright asks whether these big screens will ever open themselves to creative use or simply remain giant TVs controlled by giants
 

The problem with critiques of curatorship is that they usually end up reinforcing the central importance of the curator. Alberto Duman contemplates a recent addition to the field and suggests ways to break the cycle of self-affirmation

The Few and the Many