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Editorial content |
Submitted by mute on Wednesday, 30 July, 2008 - 16:16
Mute 3-5pm, Sunday 3 August 2008. Upstairs at Publish And Be Damned self-publishing fair, Rochelle School, Arnold Circus, London E2. Free, no booking required. Does private-public funding and management of culture mark the death of institutional and critical autonomy? And is direct censorship an anomaly, the most visible form of a wider constriction of cultural freedom, or the shape of cultural policy to come? subject: Art | Cultural Industries | Institutional Critique | Neoliberal
OpenPublishing |
Submitted by anthony on Tuesday, 17 June, 2008 - 11:50
Rebecca Gordon Nesbitt / Variant editorial Variant, one of the few magazines covering the grim process of stealth privatisation of Glasgow's cultural assets, appears to have been specifically targeted by one of the very privateers it criticised, and who has banned its distribution at Tramway gallery, in a highly defensive abuse of power:
subject: Art | Arts funding | Cultural Industries | Independent Media | Media | Politics | Society
Editorial content |
Submitted by mute on Friday, 23 May, 2008 - 15:07
![]() Mute Vol 2 #8 features Stewart Martin on aesthetic education in post-Fordism, a prizewinning essay on music and code by Simon Yuill (Vilém Flusser theory award, Transmediale 2008), comic-strip satire from Plastique Fantastique, Tom Campbell and Dmitry Vorobyev on carcino-regen in St Petersburg, and by Benedict Seymour on art-sport implosion and the 2012 Olympics. subject: Art | Arts funding | Comics | Cultural Industries | Education | Free Software | Hacking | Politics | Theory & Philosophy
Editorial content |
Submitted by mute on Tuesday, 11 March, 2008 - 16:48
Richard Wright The BBC's Live Sites 2012 program is set to roll out 60 big screens in urban centres around the UK by 2012. Considering the vague agenda currently guiding their use, Richard Wright asks whether these big screens will ever open themselves to creative use or simply remain giant TVs controlled by giants subject: Arts funding | Broadcast Media | Cultural Industries | Festivals | New Media Art | Regeneration | Socially Engaged | Technology | Television | Urbanism
OpenPublishing |
Submitted by saul on Monday, 10 March, 2008 - 18:11
This is a nice new pod just for me.
subject: Art | Cultural Industries | Free Software | Hacking | Institutional Critique | Net Art | New Media | New Media Art | Relational Aesthetics | Web 2.0
Editorial content |
Submitted by mute on Friday, 7 March, 2008 - 15:38
Alberto Duman
The problem with critiques of curatorship is that they usually end up reinforcing the central importance of the curator. Alberto Duman contemplates a recent addition to the field and suggests ways to break the cycle of self-affirmation
subject: Cultural Industries | Immaterial Labour | Institutional Critique
OpenPublishing |
Submitted by ajaco on Saturday, 8 December, 2007 - 21:19
A. Andreas The Few and the Many subject: Cultural Industries
Editorial content |
Submitted by mute on Monday, 13 August, 2007 - 10:16
Suhail Malik If the wider economy were to crash, would the art market follow it down? And are critical-political claims for art as inflated as prices? Suhail Malik puts his money on art's (economic) autonomy
Images by " " [sic] Tim Goldie
subject: Art | Cultural Industries | Debt | Economics | Hedge Fund | Markets | Relational Aesthetics
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