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OpenPublishing |
Submitted by Ben on Wednesday, 26 August, 2009 - 13:37
Reactor / Ben I am hoping this is some kind of parody of the nigh universal tendency for (relational/new media/ all?) art to resemble the collateral campaign in The Man Without Qualities. [cf Matthew Hyland's great article on Documenta in Mute a few years back]. But it might just be a second order symptom of the disease hiding behind the illusion of a cure. subject: Art | Artivism | Biotechnology | Conceptual | Socially Engaged | Surrealist
US Treasury Bailout Revealed as Nigerian Scam of Gargantuan Proportions
Submitted by Mavis on Tuesday, 23 September, 2008 - 17:36
Sorry for the egregious viral forwarding (and the fact that the title I've appended pretty much sums up the joke), but this drifted by in the Nettime gunkstream...itself re-posted from The Nation's website. Seems like liberal bien pensant opinion in the US (encompassing the continuum between the NYT and The Nation) is stridently anti-bailout, maybe like a tepidly progressive re-working of the "moral hazard" banner as a clash between 'Wall Street' and 'Main Street'. subject: Conceptual | Conspiracy | Epidemic | Finance & Trade | Financial Crisis
Editorial content |
Submitted by admin on Friday, 23 May, 2008 - 16:56
Simon Yuill In the 1960s and '70s musicians devised innovative forms of notation and protocol to liberate themselves from aesthetic and social conventions. Today's digital devotees of code based production and improvisation are continuing this tradition, argues Simon Yuill* subject: Anarchist | Art | Conceptual | Improv | Music | New Media Art | Politics | Relational Aesthetics
Editorial content |
Submitted by mute on Thursday, 7 February, 2008 - 01:57
subject: Conceptual | Improv | Music
Editorial content |
Submitted by mute on Thursday, 7 February, 2008 - 01:42
subject: Conceptual | Improv
Editorial content |
Submitted by mute on Wednesday, 6 February, 2008 - 18:36
Simon Yuill If relational aesthetics and open source were always commercial, can the musical score provide a way of thinking through different relationships between creativity and code? The return to improvisation in 'livecoding' draws parallels with experimental practices developed by maverick musicians, programmers and educators from Sun Ra, The Art Ensemble of Chicago and the Scratch Orchestra to Seymour Papert. Simon Yuill argues that these 'di subject: Anarchist | Art | Conceptual | Improv | Music | New Media Art | Performance | Politics | Relational Aesthetics
Ventrellaquism
OpenPublishing |
Submitted by lexhan on Sunday, 3 February, 2008 - 15:13
subject: Art | Artivism | Computing | Conceptual | Institutional Critique | Internet | Peer2Peer | Relational Aesthetics | Situationist | Socially Engaged
subject: Conceptual | Socially Engaged
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