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Submitted by mute on Wednesday, 5 November, 2008 - 10:54
mute Since there is no centralised events area, I'm adding an article here to help people keep track of Mute's rapidly expanding events programme as well as documentation of previous events. Check the front page for updates subject: Art | Arts funding | Debt | Education | Events | Fictitious Capital | Finance & Trade | Financial Crisis
Tanda Foundation: Public Funding for Creative Practice
Submitted by Geraldine on Monday, 13 October, 2008 - 14:13
Geraldine Juárez Tanda Foundation is a freestyle and experimental foundation, that merges the logic of traditional not-for-profit organizations and the tanda model, to create a funding platform held and run by its own Patrons and Candidates. Tanda Foundation collects micro-funds towards the support of creative practice. subject: Arts funding
OpenPublishing |
Submitted by anthony on Tuesday, 17 June, 2008 - 11:50
Rebecca Gordon Nesbitt / Variant editorial Variant, one of the few magazines covering the grim process of stealth privatisation of Glasgow's cultural assets, appears to have been specifically targeted by one of the very privateers it criticised, and who has banned its distribution at Tramway gallery, in a highly defensive abuse of power:
subject: Art | Arts funding | Cultural Industries | Independent Media | Media | Politics | Society
Editorial content |
Submitted by mute on Friday, 23 May, 2008 - 15:07
![]() Mute Vol 2 #8 features Stewart Martin on aesthetic education in post-Fordism, a prizewinning essay on music and code by Simon Yuill (Vilém Flusser theory award, Transmediale 2008), comic-strip satire from Plastique Fantastique, Tom Campbell and Dmitry Vorobyev on carcino-regen in St Petersburg, and by Benedict Seymour on art-sport implosion and the 2012 Olympics. subject: Art | Arts funding | Comics | Cultural Industries | Education | Free Software | Hacking | Politics | Theory & Philosophy
Editorial content |
Submitted by mute on Tuesday, 11 March, 2008 - 16:48
Richard Wright The BBC's Live Sites 2012 program is set to roll out 60 big screens in urban centres around the UK by 2012. Considering the vague agenda currently guiding their use, Richard Wright asks whether these big screens will ever open themselves to creative use or simply remain giant TVs controlled by giants subject: Arts funding | Broadcast Media | Cultural Industries | Festivals | New Media Art | Regeneration | Socially Engaged | Technology | Television | Urbanism
Editorial content |
Submitted by mute on Wednesday, 26 September, 2007 - 12:12
Matthew Hyland The late Derek Bailey's musical 'career' was founded on years of wage labour as a guitarist in dancehalls and nightclubs. An idea which aspirants to today's fully professional-entrepreneurial cultural sector would find barely comprehensible, suggests Matthew Hyland. For what other than individual elevation above wage-worker status defines the 'creative' life that these subvention-seekers clamour for so shrilly? |
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