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Editorial content |
Submitted by mute on Tuesday, 2 June, 2009 - 16:46
Post-Fordist State planners, developers, and their entrepreneurial service arm have debased the meaning of ‘creativity’ to a shallow pretext for the further looting of cities and public wealth. The cookie-cutter aestheticisation of selective zones of our cities (tourist promenades, waterside public art, creative quarters), is a mere fig leaf covering the acts of enclosure and exclusion that cultural regeneration entails. As the sensibilities of the Creative Class are sensationalised, courted, and monetised, the creative possibilities of the dehumanised majority narrow. subject: Art | Mute Vol 2 #12 | Regeneration | Social Movements
Editorial content |
Submitted by mute on Tuesday, 30 June, 2009 - 13:54
Marina Vishmidt
Challenging the idealism of autonomist Marxism, Negativity and Revolution is a recent anthology that uses Adorno's negative dialectics to refuse false unities, placing contradiction and antagonism at the heart of revolutionary theory. Review by Marina Vishmidt
subject: AntiCapitalist | Art | Politics
Editorial content |
Submitted by mute on Wednesday, 24 June, 2009 - 10:48
James Heartfield
Despite the State being the main investor in the UK's national economy, the official rhetoric of private sector productivity is alive and well. James Heartfield takes a look at Labour's failed strategy of privatising public services and the rise of ‘corporate welfare'
subject: Government | Neoliberal
Editorial content |
Submitted by mute on Tuesday, 23 June, 2009 - 11:23
Benedict Seymour From a canal path confrontation comes bobo redemption. A story by Benedict Seymour
The hipster was riding home from work along the canal path, past the yuppie apartments. The light was beautiful through the clouds and everything had a magical sheen in the aftermath of the rainstorm.
subject: Gentrification | Literature
Editorial content |
Submitted by mute on Wednesday, 17 June, 2009 - 14:31
Agnese Trocchi
Alina Marrazzi's film, We Want Roses Too, juxtaposes found film footage with personal narratives in a mash up that identifies the struggles of Italy's sexual revolution. In her review, Agnese Trocchi points out a broader purpose: to unify today's solo-fighting woman with her activist mothers, aunts and grandmothers of radical past
Editorial content |
Submitted by admin on Wednesday, 3 June, 2009 - 15:50
Sam Williams A recently published volume of Guy Debord's early letters provides insights into a singular personality, and the fractious relationships that spawned the Situationist International. But, asks Sam Williams, how does this disenchanting account alter its spectacular legacy?
subject: Situationist
Editorial content |
Submitted by mute on Wednesday, 27 May, 2009 - 13:58
Melinda Cooper and Angela Mitropoulos Usury has been demonised throughout history, by poets, politicians and political economists, as a threat to healthy productive and domestic relations. But here, Melinda Cooper and Angela Mitropoulos praise subprime debtors as 'speculators' who are making their own exorbitant claims on the future
subject: Credit | Debt | Occupations | Squatting
Editorial content |
Submitted by mute on Tuesday, 19 May, 2009 - 12:12
Luciana Parisi Matteo Pasquinelli's book, Animal Spirits: A Bestiary of the Commons, asks us to get real about the dark, libidinal desires and living labour that underlie the 'multitude' and the commons. Review by Luciana Parisi
subject: Biopolitics | Commons
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