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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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Mute Vol 2 #14 Editorial content | Vol II
Submitted by mute on Tuesday, 8 December, 2009 - 10:56

Whether seen as the ultimate capitalists, Buddhists or communards, bees elicit fantasies and fears of social productivity and crisis by turns. This issue is not really about bees of course, but the ‘colony collapse disorder' which is currently threatening the global bee population works as a stark metaphor for the crisis of reproduction that is currently afflicting human society as it is currently configured.

The Future Isn’t What it Used to Be Editorial content | Articles
Submitted by mute on Wednesday, 10 March, 2010 - 13:18
M. Beatrice Fazi

Tackling the conundrum of the future's relationship to the present through the prism of digital culture, this year's Transmediale festival strayed into some chaotic philosophical territory. In her review, M. Beatrice Fazi dismisses conceptions of the future as linear effect of the present, instead embracing models of ‘atemporality' and untimeliness

 

 


We Don’t Need No Education? The Case of the London Met Editorial content | Articles
Submitted by mute on Thursday, 4 March, 2010 - 15:01
Mute

In the wake of a cash crisis and resulting round of savage job cuts, London Metropolitan University has been left reeling, but still standing.


An End Without End: Catastrophe Cinema in the Age of Crisis Editorial content | Articles
Submitted by mute on Thursday, 25 February, 2010 - 11:18
Evan Calder Williams

Dusting off the tedium and ash deposited by Hollywood's recent spate of catastrophe movies, Evan Calder Williams takes aim at their world-affirming pessimism and calls for some real apocalypse

 

 

subject: Communism | Film

Hopenhagen against Hope Editorial content | Articles
Submitted by mute on Wednesday, 17 February, 2010 - 14:29
Ilya Lipkin

Amidst the general panic and its commodification, Ilya Lipkin travelled to the Copenhagen Summit to witness capitalism's first last chance at preserving a climate conducive to its growth

 

 

Situating COP15: Capitalist Logic and Subjectivity

 


Crisis at the ICA: Ekow Eshun’s Experiment in Deinstitutionalisation Editorial content | Articles
Submitted by mute on Wednesday, 10 February, 2010 - 13:28
JJ Charlesworth

Amidst a general acceptance of the cash crisis afflicting the ICA as an accident of recession, and a headlong rush into ‘hairshirt' institutional self-critique as a way to deflect real scrutiny, JJ Charlesworth uncovers a catalogue of avoidable mistakes and the free-market, lifestyle thinking behind them

 

 


Apocalypse, Tendency, Crisis Editorial content | Articles
Submitted by mute on Wednesday, 3 February, 2010 - 11:26
Benjamin Noys

Crises tend to generate apocalyptic dreams and nightmares. Through a reappraisal of 20th century anti-capitalist thought, Benjamin Noys urges us to critically re-think how such an apocalyptic tone operates within radical analyses of the current crisis

 


Jack’s Back! In the Movies at Last! Editorial content | Articles
Submitted by mute on Tuesday, 26 January, 2010 - 15:03
Peter Linebaugh

Peter Linebaugh, author of The London Hanged, was recently challenged by film-makers Anja Kirschner and David Panos over his ‘romanticised' account of the development of class consciousness in the first phase of finance ca

subject: Film

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Culture Clubs -
By Anthony Davies and Simon Ford
Sept 2000

New Labour orthodoxy maintains, in line with its predecessor, that public private partnerships are the only way forward economically. Transport, health and education have been the most controversial new enterprise zones, but is the cultural sector's restructuring any less absolute?

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