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pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column
covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column
No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles
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Churning The Nut Mustard OpenPublishing | POD Park
Submitted by adamdavid on Thursday, 12 January, 2006 - 20:19

Contents of this cluster

  1. Parallel Sound Universes (Electronic Festival, Barbican Hall, London 13 - 18 October 2001)
  2. Houses of Memory and London's Orbital Motorway (Iain Sinclair's George Orwell lecture at Senate House, Birkbeck)
  3. Brian Holmes' comments on Steve Wright's 'Reality Check' in Mute 2/1
  4. 'Rated X by an All-White Jury'
  5. Planet of Slums
  6. Coffin for the Councillor (or, The Left in the Slums)
  7. Paris Burning but Not Queer
  8. The Old New Clothes of the French Republic: In Defense of the Supposedly 'insignificant' Rioters
  9. Dancing With The Wolves: The Riots In France
  10. Of Deep Throats and Shallow Thought
  11. Art, Autonomy and Automata
  12. Body Horror is Back (Because it Never Left)
  13. Coded Utopia
  14. From Realpolitik to Dingpolitik (an Introduction to Making Things Public)
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Culture Clubs -
By Anthony Davies and Simon Ford
Sept 2000

New Labour orthodoxy maintains, in line with its predecessor, that public private partnerships are the only way forward economically. Transport, health and education have been the most controversial new enterprise zones, but is the cultural sector's restructuring any less absolute?

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