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Walkabout
OpenPublishing |
Submitted by mute on Thursday, 6 March, 2008 - 14:52
Michael Hampton 'Walkabout' a poem submitted by Michael Hampton would have fitted excellently with the collection of verse published as part of our recent issue on credit, debt and financial crisis. As a late arrival it joins the site here and as part of our Ongoing accumulation of fiscal verse Walkabout
Over ancient slabs in the portico...[1]
snail-SNAILpaced via St.Magnus Martyr;
up Fish Street Hill to see Cibber’s[2] bas relievo
in the footsteps of the London dead, gathering dust, gathering traces;
a haunted bustling blur of phantom folk,
marbles that fell from the edge of a scarred, tavern table.
2.
Across London Bridge on Shank’s pony, amid tourists, ‘I-Pod’ joggers,& latte-guzzling City types who dawdle or press on to their destination; one of the last flâneurs, phantom of the streets & alleys, a Pudding Lane vector.
Close up: The Monument:[3] Wren & Hooke’s column wrapped in a neat vertical box of scaffold, ‘Allen & Foxworthy Scaffolding Services’: contractors of this perfect marvel, a same-size laser print of the pillar hung as temporary memo and work screen...
to re-gild the orb, remove graffiti and soot, with virtual gallery cage vistas at street level, an Olympian restoration of its 202 feet.
3.
REFRAIN
Round & round Swiss Re[4] the ragged rascal runs
round & round the smart megalith he goes,
rambling on past healthy hedge funds
in this ward of steel and glass and stone.
4.
Follow:
King William St./Eastcheap/ Philpot St./Fenchurch St. EC3/Lime St./The Grapes/ Bolton House 1907/Leadenhall Market/Lloyd’s building/Billiter St./St.Andrew Undershaft/(under siege)/30 St.Mary Axe/Balls Bros./EAT/The Baltic Exchange/ Chamomile St./Outwich St./Houndsditch/Bishopsgate/Old Bedlam/Pret a Manger/Liverpool St.
stalking poly-Albion’s fiscal core in need of a piss, In search of coff- ee.
Michael Hampton, Battersea, 2007-8
[1] According to R.Rigby’s Odd Corners of Old London (1921), these flagstones are the former pavement to Old London Bridge. [2] Charles II Directing Aid to London on the base of Wren’s Monument to the Great Fire, was carved by Caius Gabriel Cibber from 1673 to 1675, at a time when he was imprisoned for debt, being released daily to carry out this sculpture, for which he was paid £600. Hogarth’s engraving Emblematical Print of the South Sea Bubble (1721) cheekily modifies one of the three inscriptions to ‘This monument was erected in memory of the destruction of this city by the South Sea in 1720’, replacing the City of London dragons with snarling foxes. [3] Neil Guthrie in ‘Unica salus (1721): a Jacobite medal and its context’ Georgian Group Journal 15 (2006) calls it ‘an icon of civic and national catastrophe’. [4] Paul Virilio in The Original Accident (2007) relates how the Sigma Study conducted by Swiss Re in 2004 showed that ‘For the first time since the 1990s, a period when the damage due to natural catastrophes was greater than technical damage, the trend is the reverse, with technical damage at 70 per cent’. subject: Debt | Finance & Trade | Financial Crisis | History | Psychogeography | Urbanism
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