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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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Photography project to accompany Mute Vol 2 #2 - Dis-integrating Multiculturalism Editorial content | Magazine
Submitted by mute on Wednesday, 24 May, 2006 - 15:30

Alessandra Chila
All photography by Alessandra Chila (except where otherwise credited), taken in 
Tower Hamlets and Leyton, London, March 2006

Mural (1976-93) commemorating the Battle of Cable Street in October 1936 when East Londoners, including Jews, Socialists and Communist groups, forced back fascist Oswald Mosley and his Blackshirts as they attempted to march through the area under the protection of the police

Monument to Edward VII on Whitechapel High Street (circa 1905). Poor Jewish inhabitants of the East End donated money to erect this memorial as a show of loyalty and gratitude to the Crown in the context of mounting state and informal racism in the UK and Poland

 


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Recomposing the University -
By Tiziana Terranova & Marc Bousquet
July 2004

Far removed from the clichéd image of the ‘ivory tower’, today’s universities have been opened to the harsh realities of neoliberal economics. In the name of democratisation and equality, the university has become a cross between a supermarket and a factory whose consumers are also its hyper-exploited labour force. But the conditions of mass intellectuality also create new potentials and alliances

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