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Mute Music
pil and galia portrait

Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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New Iraq, New Orleans Editorial content | Magazine
Submitted by mute on Wednesday, 15 August, 2007 - 15:12

John Wilkinson
Once more, it strokes once more, taking away

designer clothes, the bright crop. Her swipe

was more effective than double entry columns,

humvees packed with news filters, shotgun

 

jolting across desert, lumbering through flood,

once more, the same strokes for different

folks naked in burkas, naked in wet hoods:

will this do, sure, this is accepted everywhere,

 

her swipe that charged to China, to Korea,

that takes care to the cleaners, that deferred

payments for forty years: On a burning lake,

Moloch smiles & flexes that platinum card

 

she authorised. Deep in the bubbling asphalt,

deep in the shit, card-switch addicts thrash

for gleams of hope foreshortened, for the here

to be now, while hungry kids gag on heritage

 

grits for food: corn repositions their futures,

marching in green files for Baghdad. Poised

in cute clothes that sour, that never can dry,

wheeling her idol forth from the White House,

 

Condoleezza chews her lip & the levees collapse,

the levees she levies, the levees she levels,

& the flares go out across the Gulf of Mexico

as the flares sink back into sand beyond Basra.

 

John Wilkinson <johnwilk_AT_mac.com> left the NHS in London just before the last restructuring, and now teaches in the US at the University of Notre Dame. His most recent book of poems is Lake Shore Drive (Salt)


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