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Mute Music
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Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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Mute Vol 2 #7 - Show Invisibles? Migration / Data / Work Editorial content | Vol II
Submitted by mute on Tuesday, 12 February, 2008 - 15:53

Mute 2 7 coverWe are living through an intensification of citizens’, and non-citizens’, visibility to capital. Database convergence, states of emergency and points-based immigration systems destroy the legal and informational grey zones in which the poor shelter and organise. As black economies and shadow sectors are exposed to the light of networked information in the interests of population management, border enforcement, welfare clamp-downs and, above all, profit, what are the risks and advantages of visibility? What do (political and artistic) representation and rights have to offer the illegal and ‘invisible’?


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Articles by: Damian Abbott, Camille Barbagallo & Nic Beuret, Leutha Blissett, Javier, Jaya Klara Brekke, Seemab Gul, Pil and Galia Kollectiv, Elizabeth Povinelli, C. L-Stavrides, Jennifer Thatcher and Unterschreber

Artwork by: Sam Gul, Harrison, Lee Galpin, Pil & Galia Kollectiv and Benedict Seymour
read the full version online | low graphics | PDF | cover

Contents of this cluster

  1. Editorial Mute 2 #7
  2. Bang to Rights
  3. Putting Illegality to Work
  4. Points-based Peonage
  5. No One Is Legal
  6. Visualising Invisibility
  7. Doing it for the Kids
  8. Plague Politics
  9. The Spine
  10. Twilight of the Swampoid
  11. Irony 2.0
  12. Organising in the Dark: Interviews about Migrants’ Struggles
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Culture Clubs -
By Anthony Davies and Simon Ford
Sept 2000

New Labour orthodoxy maintains, in line with its predecessor, that public private partnerships are the only way forward economically. Transport, health and education have been the most controversial new enterprise zones, but is the cultural sector's restructuring any less absolute?

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