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Introducing –
Pil and Galia Kollectiv,
one sixth of Mute's
ensemble music column

covering sonic adventures
across genres and time.
Email: info AT kollectiv.co.uk

Mute music column


No Room to Move
nils norman

No Room to Move: Radical Art and the Regenerate City
A fistful of research on the state of critical public art in the maelstrom of New Labour's regeneration programmes.
By Josephine Berry Slater and Anthony Iles


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Helium Keg Editorial content | Magazine
Submitted by mute on Wednesday, 15 August, 2007 - 09:48

William Fuller

 

TOWARD THE FAMOUS END of 2001, the national city

coughs on Indianapolis, short of Ruth Lilly, and examines

the keg of Indiana to make a new plate for the Lilly

property. The old keg petitioned slowly; IT noticed that a

keg in 1981 extended the cook far away, gentlemen.

 

Attorneys crack Lilly thunder

without 'advanced dispositions testamentary of

the $1 document or

$1 billion' for 'years of dead women fees'

far away the enclosed life would

crave poison

with its eye on dispositions of

wolves

the Lilly gentleman’s

'pingpong of

meaningful property' ––

consequently, the bank proposes

executed thund

 

approximately 5%. Who made the isolúx they

picked, the famous poetry of thunder and poison

of the illustrated bucket slowly outside-de-proportion

repaired? The poison transports caritatevole

of the annuity of rest ('CRATs')

    whose main keg is lethal

    (so decoy hour is called)

    representing the VALUE of

    approximately $286 million

    of Heliums Lilly COMMON

    foundations of poetry: put

    the trusts

            in the oven

    was the point the commander made

    IT has become the VALUE when quickly

    Helium jumped and the beautiful one,

    the caritatevole poetry foundation

    and Americans for type ('APHTHA'), through

 

fiduciary fracture or OP:MERKEN: 2001, went back to sign

Ruth Lilly’s eye as 'a person who . . . abolishes'

troublesome variable production

 

Great gifts limit you, pitied limbs

for you have found being

under the clamor of a champion

with those last Lilly wishes to Poesie-Zeitschrift

the faith of the gift hour has come

to the city of Indianapolis.

 

With acknowledgement to W. Banditto, This Rhymeless Nation, Cambridge: InFolio, 2007

 

 

Ruth Lilly

Image: Ruth Lilly, Prozac addicted heiress to the Lilly Pharmaceuticals fortune and million-dollar patron ot US poetry including the Poetry foundation and the Ruth Lilly Prize

William Fuller <williamfuller_AT_gmail.com> lives in a cicada-infested thecket north of Chicago, his latest books are Watchword from Flood Editions, and Three Replies, forthcoming from Barque. The advertisment printed here before his 'Helium Keg' is taken from the cover of this Rhymeless Nation, Cambridge: Infolio 2007, http://humanities.uchicago.edu/orgs/review/ThisRhymelessNation.pdf

This Rhymeless Nation



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