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Baby, Baby, Baby, Can I Have Your Number?
Editorial content |
Submitted by mute on Wednesday, 21 January, 2004 - 00:00
Pauline van Mourik Broekman Revolution@ISEA98
But why do these large-scale events always seem to come at a price? Requiring 'radical' ideas to ensure topicality, they remain hamstrung by administrative, financial and/or logistical considerations - all of which tend to gain the upper hand when the chips are down, befuddling agendas, causing creeping self-censorship and excluding potential participants. In the case of the ISEA, 1998 has produced some uniquely glaring contradictions. While a bombastic theme - Revolution/The Terror - asks us to consider the terms from every possible angle (psychosocial, technological, historical, philosophical, personal, emotional, you name it), the core events are aimed squarely at the academic and established art communities. Outdated and inflexible admission and pricing policies effectively hold sway (entrance fees are upwards of £150 for the conference and exhibition, although special places have been added for the 'representation' of 'minorities'). Elsewhere, the smell of defeatism hangs in the air - in this self-declared Digital Summer Revolution bombast shares the ring with Revolution fatigue. What's it all about, Baby? [www.isea98.org] subject: Art | Culture Studies | New Media | Politics | Technology view pdf | 1305 reads
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