articles

No Selves To Abolish: Afropessimism, Anti-Politics and the End of the World

By K. Aarons 29 February 2016

How can ‘solidarity’ be possible in and against the objective conditions that divide us? K. Aarons distinguishes the afropessimist position from...

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Eleven Pro-tips for Art plus Internet

By Matthew Fuller 16 February 2016

In his review of the Whitechapel Gallery’s Electronic Superhighway (2016 – 1966) exhibition, Matthew Fuller immerses himself fully in the minds of...

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Plant Up

By Howard Slater 29 December 2015

Howard Slater unspools the slave-economy sinews of our modern social body, where to be free is to be a debtor.   “Natty lick down Rome N...

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No Stars, no Solos – just Sound, Motion, and Energy: an Interview with John Gruntfest

By Stevphen Shukaitis 10 December 2015

Given the ephemeral nature of improvised music, it is easily forgotten after the performance. Despite that, the work of saxophonist, poet, and musical event organiser, John Gruntfest, is almost criminally overlooked

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BOYCOTT ZABLUDOWICZ - STATEMENT 3

By mute 27 November 2015

  Mute is hosting this statement in solidarity with the call for a boycott of the Zabludowicz Art Trust. Boycott Zabludowicz was formalised du...

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After the Canon? An Interview with Hal Foster

By John Douglas Millar 23 November 2015

Casting off from his recent book Bad News Days, art critic and October magazine co-editor Hal Foster talks to John Douglas Millar about what became of...

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Art’s Economic Exceptionalism

By Josefine Wikström 12 November 2015

Whilst left critiques habitually relate art to capitalist commodification, few do this on strictly economic grounds, let alone cogently. Josefine Wiks...

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Automate This! Delivering Resistance in the Gig Economy

By Jamie Woodcock 10 March 2017

In the workplace automation and technology have tipped the balance of power greatly in favour of capital but, as Jamie Woodcock explains, workers are ...

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articles

Is it OK to Punch a Nazi (Art Gallery)?

By O.D. Untermesh 16 February 2017

The art-right are on the rise and even the deep, market-reflexive complacency of the London artscene shows signs of being ruffled. How on earth did re...

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