| Sisters of Mute | Network Distribution Services - OpenMute - OpenMute development & support - Linkme2 | |||
|
|||
OpenPublishing |
Submitted by n on Monday, 28 April, 2008 - 00:35
WE ARE BAD V WEST ESSEX COUNTERFEIT STATE DEATH TO THE GODS OF MOUNT OLYMPUS FUCK THE OLYMPICS subject: Quantum Physics
Editorial content |
Submitted by mute on Wednesday, 12 March, 2008 - 15:07
London Musicians' Collective Twenty Five Years from Scratch, ed. Michael Parsons, London: London Musician's Collective, 1994.
OpenPublishing |
Submitted by mute on Thursday, 6 March, 2008 - 14:52
Michael Hampton 'Walkabout' a poem submitted by Michael Hampton would have fitted excellently with the collection of verse published as part of our recent issue on credit, debt and financial crisis. As a late arrival it joins the site here and as part of our Ongoing accumulation of fiscal verse
Editorial content |
Submitted by mute on Tuesday, 12 February, 2008 - 15:31
Toni Prug Free Software subject:
Science | AntiCapitalist | Drugs | Free Software | Hacking | Independent Media | Intellectual Property | Media | Peer2Peer | Policy
Editorial content |
Submitted by anthony on Wednesday, 30 January, 2008 - 12:35
Anette Baldauf In the course of his life, Victor Gruen completed major urban interventions in the US and Western Europe that fundamentally altered the course of western urban development. Anette Baldauf describes how Gruen’s fame rests mostly on the insertion of commercial machines into the decentred US suburbs. These so-called ‘shopping towns’ were supposed to strengthen civic life and structure the amorphous, mono-functional agglomerations of suburban sprawl. Yet within a decade, Gruen’s designs had become the architectural extension of the policies of racial and gender segregation underlying the US postwar consumer utopia
OpenPublishing |
Submitted by tim mitchell on Tuesday, 4 December, 2007 - 19:19
tim mitchell do not go gentle dylan thomas/uri gagarin mix and mash regretful melody to that cusp of modernity when technology promised to be both a salve on male uterine envy and an end to the cult of dutiful sons. subject: Art
Editorial content |
Submitted by mute on Wednesday, 26 September, 2007 - 12:12
Matthew Hyland The late Derek Bailey's musical 'career' was founded on years of wage labour as a guitarist in dancehalls and nightclubs. An idea which aspirants to today's fully professional-entrepreneurial cultural sector would find barely comprehensible, suggests Matthew Hyland. For what other than individual elevation above wage-worker status defines the 'creative' life that these subvention-seekers clamour for so shrilly? |
|
|||||||||||||||||||||||
| Mute publishing Ltd - legal information (under construction) | Site by OpenMute |